April 17, 2024

Esta broma de la suegrita es historia

Esta broma de la suegrita es historia

Ojo al sofocón que se coge la mujer

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Ojo al sofocón que se coge la mujer

WEBVTT

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Now yes, tell me Mom,
what is to see. I can tell

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00:00:05.839 --> 00:00:08.279
you something. I can get it
quick,' cause I' m fair.

3
00:00:08.320 --> 00:00:10.880
Now they buy, we' re
wandering. Well, I' m

4
00:00:10.960 --> 00:00:14.359
in Madrid and what are you doing
there? Okay, listen. The other

5
00:00:14.439 --> 00:00:18.120
day when he saw me he came
home, he left because we argued,

6
00:00:18.760 --> 00:00:23.239
because two months ago I' m
like seeing a guy. Oh, Cecilia,

7
00:00:24.000 --> 00:00:26.920
what do you mean? It seems
normal for you to tell me that

8
00:00:27.000 --> 00:00:30.719
now and now he' s gonna
come pick me up in the car and

9
00:00:30.719 --> 00:00:33.119
I' m gonna be with him. Okay. But you' re stupid.

10
00:00:33.280 --> 00:00:35.200
I' m telling you for real. You' re stupid. Yeah,

11
00:00:35.240 --> 00:00:40.159
who it is is this. I
mean, you remember Blanca having an

12
00:00:40.240 --> 00:00:43.840
Argentine friend. Yeah, well,
I do know what' s wrong?

13
00:00:44.200 --> 00:00:47.240
What' s wrong? It'
s not bad, but give me the

14
00:00:47.240 --> 00:00:53.039
phone of the person you' re
here with I' m not calling you

15
00:00:53.039 --> 00:01:03.239
now from his cell phone Bye,
bye, Mom, Cecilia Hi, I

16
00:01:03.239 --> 00:01:04.280
' m here, I' m
with him. Okay, you can give

17
00:01:04.280 --> 00:01:07.799
me, please, his phone and
stop calling me from the hidden number.

18
00:01:07.079 --> 00:01:10.840
Yeah, yeah, yeah, yeah, come on, let' s just

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00:01:10.920 --> 00:01:11.439
doubt, Chevo I' ve been
a lot of times. Here parked waiting

20
00:01:11.519 --> 00:01:14.640
for you. What I' m
missing is a fine. Now go,

21
00:01:14.719 --> 00:01:18.079
Mommy, you pass it a moment
on the phone Chili takes Bardi, hi,

22
00:01:18.799 --> 00:01:21.000
hi, you can tell me your
name. Please. Yeah, sure,

23
00:01:21.200 --> 00:01:23.719
I' m telling you, but
relax. I' m screaming,

24
00:01:23.879 --> 00:01:25.200
no, silly, no, no, I don' t like it.

25
00:01:25.280 --> 00:01:26.719
That' s good, but I
say it affectionately. That screams, but

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00:01:27.040 --> 00:01:30.120
no, no, I don'
t like it. You can lose me

27
00:01:30.280 --> 00:01:33.280
to Cecilia, no, but talking
to me is like talking to her.

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00:01:33.359 --> 00:01:36.319
Now that you' re with me, you' re gonna get your artistic

29
00:01:36.319 --> 00:01:38.000
beneficence. First, don' t
get your name, dear, call me

30
00:01:38.560 --> 00:01:42.359
whatever you want, that is,
meditate on your name and I' ll

31
00:01:42.519 --> 00:01:42.400
call you by your name that he
put you in your hand. Yes,

32
00:01:42.560 --> 00:01:48.599
you' re going to buy a
cigarriba say and if you don' t

33
00:01:48.719 --> 00:01:52.439
tell me first. Yeah, whore
and paper bought, and I' m

34
00:01:52.439 --> 00:01:53.000
tepilia. I want to talk to
her. I' m yelled at.

35
00:01:53.239 --> 00:01:57.760
Yeah, you were telling me,
listen to me what I want to talk

36
00:01:57.760 --> 00:01:59.159
to Cecilia or I' m making
you buy, no, no, I

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00:01:59.159 --> 00:02:00.799
don' t want to talk.
I think I' m gonna have to

38
00:02:00.799 --> 00:02:05.120
give you some music lessons I'
m doing. I' m, I

39
00:02:05.120 --> 00:02:07.560
' m doing. I want to
talk to you, yes, I want

40
00:02:07.560 --> 00:02:12.080
to talk to you, I want
to talk to you, let' s

41
00:02:12.080 --> 00:02:14.800
talk to me. I' m
screaming who you want to talk to,

42
00:02:14.879 --> 00:02:15.960
I want to talk to, but
of course, but if you don'

43
00:02:15.960 --> 00:02:16.960
t ask me to talk to her. How you think I' m gonna

44
00:02:16.960 --> 00:02:20.159
pass it to you. I'
m not a fortune teller either, I

45
00:02:20.319 --> 00:02:23.400
just want to talk to my son
now. Yeah, nice little boy,

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00:02:23.800 --> 00:02:30.319
get back here, here. If
he brings you all the gang pam hal

47
00:02:30.479 --> 00:02:34.680
the car so the phone to watch
the phone pass. I cached the phone,

48
00:02:34.800 --> 00:02:36.639
put the phone through. Give me
there, he' s all by

49
00:02:36.639 --> 00:02:42.759
himself. Hey, what a friend
for us to start. We have to

50
00:02:44.520 --> 00:02:50.560
Teglia, you' re going to
tell me, but what' s ay

51
00:02:50.560 --> 00:02:53.919
Freney already, but I want to
talk to what she' s going to

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00:02:53.919 --> 00:02:54.759
alone with. That' s gonna
be complicated. I' m here right

53
00:02:54.800 --> 00:02:57.479
now, because he' s always
gonna be with me. I' ll

54
00:02:57.599 --> 00:03:00.759
tell you in half an hour.
We' re gonna be at the sun

55
00:03:00.759 --> 00:03:04.360
door. He may be playing Luke
Lelia who street c this is going to

56
00:03:04.400 --> 00:03:06.719
be dancing forward. He' s
gonna be passing the hat. You want

57
00:03:06.800 --> 00:03:07.240
to come in, too, and
you' re going to see the action.

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00:03:07.280 --> 00:03:12.879
When it' s time Look,
the guy' s fine, but

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00:03:13.159 --> 00:03:14.479
I' ve done it He'
s already lame from Cecilia. He screamed

60
00:03:14.560 --> 00:03:20.639
at me. Hey grey ita street. I' m going to play mom

61
00:03:20.759 --> 00:03:24.840
' s old son ukulele. Listen
to me that this is one or fulfills

62
00:03:24.919 --> 00:03:30.039
that this is the birthday gift of
your husband and your daughter that I know

63
00:03:30.039 --> 00:03:31.879
you, but I couldn' t
imagine that I could fall into that.

64
00:03:32.000 --> 00:03:36.560
Well, I' m very hysterical
to blame myself, because for me more

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00:03:36.639 --> 00:03:39.199
than you know it' s your
husband who' s responsible for everything here,

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00:03:39.560 --> 00:03:46.199
uh, I' ll kill him
a little while when I thank you

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00:03:46.280 --> 00:03:50.599
very much to the serial not if
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00:03:50.280 --> 00:03:50.599
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