Terminalicidio

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The tremendous borderline of the tremendous Court, to a public hearing, The tremendous

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Judge of the tremendous Court is going
to solve a tremendous case by the night

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of the Registrar. Good evening,
Your Honor, as what, as so

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repey one of the participants in the
trial is laughing. I don' t

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know how your daughter' s following, sir Well, there you' re

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tied up with the duoden Hey,
why you' re tied up with the

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duo out of jealousy. To whose
jealousy. But I didn' t tell

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him. No. You didn'
t tell me anything, because you already

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found out that what happens to me
is that the liver and duode don'

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t spend their lives going down.
If that' s it, why,

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because they' re both in love
with the gallbladder. No, no,

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yes, Mr I, imagine every
time they have such a win. I

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' m the one who pays the
consequences do better. Hey come to cay

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because you don' t operate and
remove your gallbladder and end the problem,

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because then the liver, by not
seeing the gallbladder in place, is going

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to blame the godene and the thongana
is going to be worse. Well,

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let' s hear it, sir, see the truth. I watched strange

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things happen to you. Don'
t tell me anything. Well, let

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' s see, tell me what
case we have today, what are we

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left with. I' m telling
you the case we have today or I

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' m not telling you anything.
Put on a fine weight for not understanding

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me tell me the case we have
today. It' s all right,

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Your Honor. What we have today
is a staff in what the scam consists

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of two citizens who took a terminal
and didn' t pay it then calls

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the complicated in that terminus and right
away. Judge Luz María Nananina ajita matología

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rube, sido caldeiro y escoeña or
be candelario, three claws. Well,

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let' s see what happens to
you guys today, what three skates.

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This is not the case if each
of you starts, sir You don'

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t lie to the nanina that I
don' t read to you. No,

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no, no, sir, Nanina
and I don' t each play

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a weight and I fix myself another
one happened to the dead Big. Yeah,

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sixty- four didn' t come
out in the last round, I

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did, and how much you paid
us for nothing. And that' s

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not a scam. We don'
t know what we' re talking about.

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No. No, you were what
the compa had that I didn'

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t point at him at sixty-
four. We do, ma' am,

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you yourselves who started to eat than
with beings more. Yeah. No,

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well, that' s right.
No yes, but don' t

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start arguing, because it is I
who have to clarify it to see,

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not Nanina, tell me what happened, because what happened, sir was that

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I had a dream and I am
convinced that dreams are messages sent to us

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by beings from beyond. Hey,
that says dreams are messages and you don

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' t think it' s messages, Father. If they were to shake

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dreams, they' d send him
as a messenger, boys, blessed God,

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well, look, buddy. But
what happens is that the messenger of

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beings from beyond is ether and through
ether, the beings from beyond send us

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hypnotic reflexes, telepathic vibrations and manetic
fluviu by a rude curiosity. In addition

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to hypnotic reflexes and magnetic fluxes also
send us rheumatic pains. No, sir

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Good at home I have a little
pain in my ribs And I' d

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like to know if that' s
a message from beyond. Well, no,

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sir, that rheumatism of the masachi
what we' re going to do

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to you anyway, no, na
me, you don' t say you

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had a dream. It' s
not that, yes, sir, last

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Friday I saw in sleep a figure
that told me Play the Big Dead.

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Play the big dead man. Then, Saturday morning, I told Rudestindo and

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he agreed with me that it will
be a message from beyond. Then you

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also believe that dreams are messages from
beings from beyond. Rusting like no doctor

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last night I spent the night dreaming
of a blonde, but beautiful, forgive

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me by reciting, but it remains. I' d have that blonde pretty

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much. We would not be twenty- two years old and a sculpture was

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beautiful and divinely well formed. And
that was also a message sent to you

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by the Mayan beings. Of course
it is, then the beings beyond.

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He must be blubbering about why,' cause if I have a blonde,

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that' s how he hears I
stay with her and I don' t

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know anybody' s hand. Done, or good got you. Selfishness is

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not supposed to exist in the afterlife. No, if I don' t

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do it for emoism, that'
s what I do for self- defense.

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So, then you don' t
think dreams are messages from the afterlife.

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Not guys. Dreams are already proven
that they have already analyzed it all,

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but technicians are already bad digestions of
Masaquí, Chiquis Who? Who explained

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that to you, man, explained
it to me scientifically. Yes, a

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young dream doctor who specializes in the
cure of nightmare home vera and how that

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doctor cures nightmares. Well, there
are several procedures, but the best one

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is a crack. You think it' s cracking. A balanced feeding system.

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Yeah, ten days, once he
diets us, there' s no

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gralla. It' s the morning
corn rose diet, the afternoon corn rose

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and the evening corn rose. That' s for what, so all dreams

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want pink colors like s and that
system works. Yeah, because that doctor

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says dreams depend on what you eat
not. For example, good digestion produces

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pleasant dreams, while bad digestion produces
nightmares because of the emotional reflexes of a

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photogenic character that enter the reaction is
agricultural of the digestive apparatus in the philatelic

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circumvolucies of the brain heads. So, if the same diathermia tells you the

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depth, you understand that truth.
Yeah, that' s how I get

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it. Yes, then explain the
same to me, because I don'

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t understand what I' m saying
and if you don' t understand,

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why you say it. Well,
if I don' t get it,

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I say it because that' s
what it is. Doctor told me Mitchi

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why he didn' t ask you, the doctor to explain it, oh,

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I didn' t ask him chi
quel? He told the doctor he

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didn' t understand. He didn' t tell me how good it was

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either, so let' s quit. No. Not that it didn'

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t go away that way. You
here the smart challenge. Not me not

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good. I' m the smart
one. I know what you mean,

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but I' m not going to
tell you then. If you' re

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going to be bructimante, no,
it' s not that you' re

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brutish here is that you don'
t know. Let' s see.

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Anyway. The doctor thinks that what
you dream of depends on what you eat.

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That' s not good. That
motto of his says tell me what

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you dream and I' ll tell
you what you comic. I mean,

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tell me what you dream and I' ll tell you what you eat.

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Yeah, for example, look,
you ever dream that he' s a

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very famous film artist and that all
women fall in love with you if I

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don' t dream about it.
Every ra a, every time you dream

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you already know what you eat is
what as a horse and what team varies.

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Well, it' s fine weight. And that' s little because

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I don' t like this one, sir, no, no, Chico,

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you' ll eat it asleep without
realizing it, but that eats that

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it' s a failure you'
re that' s scientific. I'

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m sure he' s a scientist
if you haven' t noticed. Well,

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Chico, what it' s called
is that what I dream almost always

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Dani agrees with what with much aha
if almost always what I dream agree with

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according to what as I really do
look, for example, now I look

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good, if you explain, I
didn' t understand it well, since

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things make me nervous. See how
he gives you a footstep, yes,

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he already sees it He hears it
a few days ago without going any further

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to enter the mannaque itself cloth of
the manac a few days ago, without

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going any further behind the manacs.
I dreamt that I would go up hear

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this hear to, that there was
a guagua going up and that then the

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driver shouted given that he already rode
yes. Then he would tell me step

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forward, parrón, loba me out
there, porpe and then he would tell

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me to tour my family and what
you two patartara had eaten. Another day

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I dreamt that I was in a
cabaret with sophia Lorengo, hear that sophia

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to Lorence, yes, and sophia
Lorren was wearing a dress to Rayas,

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a shoe to Rayas, yes,
a half to Raya, a hat to

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Rayer. Then all he had on
was loren sophia was at bay all boy

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and you had eaten that night little
Rayauchi, but the most beautiful thing was

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the night. At night, what
he did last night, what he went

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out with his friend, uh,
to the eight with a friend of his,

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to the eight, to the eight. Day later I' d give

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you what I' d done at
night, oh no, I didn'

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t find out it was last night. Not the eight, well, eight

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a night. Yeah, last night
I was in a terrible hunger, you

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know, a fantastic hunger, a
hunger, but you hear me overwhelming as

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a scrapper, overwhelming was a devouring
hunger. You too, no, sir,

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and that which you ate last night, no, no, it'

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s not that I' m exhausted
five meres is worth five pesos more fine,

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Secretary, and touch me I feel
like it, sir, it'

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s not worth following you, not
nanina. The point was that you dreamed

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of a figure telling you to play
the big dead. It is not so,

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yes, sir, and he acted
upon you as a message sent from

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the beyond clear, Your Honor,
because if it were not so, dreams

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would not be given as they were
given. And you think dreams are good.

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Doctor, that doesn' t admit
argument. Not because Ana Nanina was

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given a dream in this draw and
I was given another dream in the last

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draw too. Yes, sir,
park it turns out that on the top

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floor of my house lives a dancer
and you come past. I dreamt that

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the dancer would knock on my door
and tell me tomorrow on Saturday, remember

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me, told him that tomorrow was
Saturday and that you would remember him.

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Yes, sir. So I,
when I woke up, yes, I

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started looking for the number was a
dancer in a lebrito that I have that

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brings all the numbers in the charada, the numbers that have come out in

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the first prize of the lottery.
In short, a series of things,

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all very useful and very instructive.
But you know that book what it'

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s called the thirty- seven ways
to eat balls. Oh, I don

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' t know him. Well,
that' s good,' cause I

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started looking for what number was Dancer. Yeah, but the dancer wasn'

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t on the list and what you
played then seventy- six, and what

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' s seventy- six the dancer. Well, it roars but and you

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don' t think that the thing
about you dreaming about a friend who'

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s a dancer and plays ballerina,
is one thing I don' t know.

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Well, doctor, I really do, I know it' s not

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right, but come on. I
had to play something and Dancer there was

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no number with what you took the
seventy- six. How I didn'

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t take it with a fixed weight
and a straight one. Then we must

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congratulate him. Right, well,
don' t believe it, Doctor,

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I haven' t been able to
sleep in my house for eight days.

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And that' s why, because
the dancer found out, not everything,

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and he' s waiting for me
at the door with a stake. But

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you have no reason for that,
and you think you don' t,

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no, sir, because that was
a message from beyond that you received rudeness,

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sorryness, rudeness. Well, yeah, but anyway, don' t

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tell him. The dancer, you
know, but why, because he does

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find out. When we get to
the sea, I' m gonna get

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into this house, so many people, already that poor dancer and let'

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s get to it. I'
m sure the dancer is Guadalquivis' s

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boy. You don' t know, fulito, ah child of the nasío

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child balarque, that' s the
child of the Guadartillo, the child,

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sir. Yes, sir, the
point was you played the big dead.

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It' s not that, yes, sir, I told him my rude

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dream and then we pointed it out. A fixed weight and a fixed weight

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each run to three skates. Yeah, on three skates and out on the

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sixty- four. Yes, sir, sixty- four came out. Yeah,

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three skates. He doesn' t
pay them. No, sir,

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you don' t want to pay. He tells us this wasn' t

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the number we played. Very well. You can sit nothing on me.

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All right, buddy, three yards. Here now we' re going to

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talk to you. Me for a
while. You heard the whole statement here.

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I edit the download and download,
not the declaration of them. Yes,

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he heard Acá' s dream of
the Guadarquivic' s boy. Yes,

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you know the Guadarquivi boy. He' s a friend of mine no

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longer. He' s a friend
of mine Yeah, not anymore. The

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kid' s going to dark v
good. So it' s true.

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All that stuff three patis said,
do me a favor, but the guilt

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is that they stopped her themselves.
Yeah,' cause six of them stopped

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telling me this. He' s
heard a message from beyond. It'

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s been a message further and then, well, they told me to point

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the big dead at him. I
pointed out number nine as nine. The

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big dead is not sixty- four. Well, that' s in the

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charade of the more here, in
the charade of the hereafter, the big

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dead nine and the nine is not
an elephant. Yeah, that' s

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why? Like for that very reason, yes Chico, because he looks at

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the afterlife all the animals and all
the bugs. We' re all out

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of it Uh- huh And it' s like everything' s dead,

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the biggest dead guy he' s
got, he' s got, he

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' s got, he' s
got, he' s got, he

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' s got, he' s
got, he' s got, he

207
00:13:30.240 --> 00:13:30.240
' s got, he' s
got, he' s got, he

208
00:13:30.240 --> 00:13:30.240
' s got, he' s
got, he' s got, he

209
00:13:30.240 --> 00:13:30.240
' s got, he' s
got, he' s got, he

210
00:13:30.240 --> 00:13:30.240
' s got, he' s
got, he' s got, he

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00:13:30.240 --> 00:13:30.240
' s got, he' s
got, he' s got, he

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00:13:30.240 --> 00:13:31.679
' s got, he' s
got. Then the charatas of the afterlife

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00:13:31.759 --> 00:13:35.440
different from here. Of course it
has to be different boy, the one

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00:13:35.440 --> 00:13:39.519
here, for example, has verse, truth there has no verse, well,

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00:13:39.600 --> 00:13:41.440
yes, but they are not called
verse. And what they' re

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00:13:41.480 --> 00:13:48.120
called then the borrower. Like the
pretaphs. The pretaph will not be the

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00:13:48.120 --> 00:13:50.159
epitaph. Yeah, it' s
for the best. You know what an

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00:13:50.240 --> 00:13:52.679
epitaph is, as I' ll
know. I' m sure you buy

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00:13:52.799 --> 00:13:56.320
from my TVs or zebra a little. The epitafiedepe is the piltrafa. Yeah,

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00:13:58.080 --> 00:14:00.480
it' s not pitaphy. Ah
I already know what girl things.

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00:14:01.080 --> 00:14:05.120
I run my tapio. Suppose a
little verse says so. Rudecinto and Nananina,

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don' t claim your money because
I call it Mommy and the manicure

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00:14:09.679 --> 00:14:13.759
has already sung. Yes, write
the secretary that now I' m going

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to do an epitaph. I'
ll get that epitaph. Rudecin and Nananina,

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00:14:16.399 --> 00:14:22.159
there' s no remedy, as
you see because your money requires you.

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00:14:22.639 --> 00:14:26.320
But you' re a meaner bug
than the carcoma. I shoot him

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for fucking thirty days in the hill
or photo by Riente Avara Adolfo Pero and

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00:14:39.399 --> 00:14:46.519
MiguelÁngel Herrera writes Castor Bispo,
Production and Direction. Miguel Yao to Ubo

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00:14:46.600 --> 00:14:56.480
Churches who speaks to them, tells
them very good luck. Friends. Focused Audio