Terminalicidio

0:04 The tremendous borderline of the tremendous Court, to a public hearing, The tremendous Judge of the tremendous Court is going to solve a tremendous case by the night of the Registrar. Good evening, Your Honor, as what, as so repey one of the participants in the trial is laughing. I don' t know how your daughter' s following, sir Well, there you' re tied up with the duoden Hey, why you' re tied up with the duo out of jealousy. To whose jealousy. But I didn' t tell him. No. You didn' t tell me anything, because you already found out that what happens to me is that the liver and duode don' t spend their lives going down. If that' s it, why, because they' re both in love with the gallbladder. No, no, yes, Mr I, imagine every time they have such a win. I ' m the one who pays the consequences do better. Hey come to cay because you don' t operate and remove your gallbladder and end the problem, because then the liver, by not seeing the gallbladder in place, is going to blame the godene and the thongana is going to be worse. Well, let' s hear it, sir, see the truth. I watched strange things happen to you. Don' t tell me anything. Well, let ' s see, tell me what case we have today, what are we left with. I' m telling you the case we have today or I ' m not telling you anything. Put on a fine weight for not understanding me tell me the case we have today. It' s all right, Your Honor. What we have today is a staff in what the scam consists

1:34 of two citizens who took a terminal and didn' t pay it then calls the complicated in that terminus and right away. Judge Luz María Nananina ajita matología rube, sido caldeiro y escoeña or be candelario, three claws. Well, let' s see what happens to you guys today, what three skates. This is not the case if each of you starts, sir You don' t lie to the nanina that I don' t read to you. No, no, no, sir, Nanina and I don' t each play a weight and I fix myself another one happened to the dead Big. Yeah, sixty- four didn' t come out in the last round, I did, and how much you paid us for nothing. And that' s not a scam. We don' t know what we' re talking about.

2:28 No. No, you were what the compa had that I didn' t point at him at sixty- four. We do, ma' am, you yourselves who started to eat than with beings more. Yeah. No, well, that' s right. No yes, but don' t start arguing, because it is I who have to clarify it to see, not Nanina, tell me what happened, because what happened, sir was that I had a dream and I am convinced that dreams are messages sent to us by beings from beyond. Hey, that says dreams are messages and you don ' t think it' s messages, Father. If they were to shake dreams, they' d send him as a messenger, boys, blessed God, well, look, buddy. But what happens is that the messenger of beings from beyond is ether and through ether, the beings from beyond send us hypnotic reflexes, telepathic vibrations and manetic fluviu by a rude curiosity. In addition to hypnotic reflexes and magnetic fluxes also send us rheumatic pains. No, sir Good at home I have a little pain in my ribs And I' d like to know if that' s a message from beyond. Well, no, sir, that rheumatism of the masachi what we' re going to do to you anyway, no, na me, you don' t say you had a dream. It' s not that, yes, sir, last Friday I saw in sleep a figure that told me Play the Big Dead.

3:50 Play the big dead man. Then, Saturday morning, I told Rudestindo and he agreed with me that it will be a message from beyond. Then you also believe that dreams are messages from beings from beyond. Rusting like no doctor last night I spent the night dreaming of a blonde, but beautiful, forgive me by reciting, but it remains. I' d have that blonde pretty much. We would not be twenty- two years old and a sculpture was beautiful and divinely well formed. And that was also a message sent to you by the Mayan beings. Of course it is, then the beings beyond. He must be blubbering about why,' cause if I have a blonde, that' s how he hears I stay with her and I don' t know anybody' s hand. Done, or good got you. Selfishness is not supposed to exist in the afterlife. No, if I don' t do it for emoism, that' s what I do for self- defense.

4:43 So, then you don' t think dreams are messages from the afterlife. Not guys. Dreams are already proven that they have already analyzed it all, but technicians are already bad digestions of Masaquí, Chiquis Who? Who explained that to you, man, explained it to me scientifically. Yes, a young dream doctor who specializes in the cure of nightmare home vera and how that doctor cures nightmares. Well, there are several procedures, but the best one is a crack. You think it' s cracking. A balanced feeding system. Yeah, ten days, once he diets us, there' s no gralla. It' s the morning corn rose diet, the afternoon corn rose and the evening corn rose. That' s for what, so all dreams want pink colors like s and that system works. Yeah, because that doctor says dreams depend on what you eat not. For example, good digestion produces pleasant dreams, while bad digestion produces nightmares because of the emotional reflexes of a photogenic character that enter the reaction is agricultural of the digestive apparatus in the philatelic circumvolucies of the brain heads. So, if the same diathermia tells you the depth, you understand that truth. Yeah, that' s how I get

6:16 it. Yes, then explain the same to me, because I don' t understand what I' m saying and if you don' t understand, why you say it. Well, if I don' t get it, I say it because that' s what it is. Doctor told me Mitchi why he didn' t ask you, the doctor to explain it, oh, I didn' t ask him chi quel? He told the doctor he didn' t understand. He didn' t tell me how good it was either, so let' s quit. No. Not that it didn' t go away that way. You here the smart challenge. Not me not good. I' m the smart one. I know what you mean, but I' m not going to tell you then. If you' re going to be bructimante, no, it' s not that you' re brutish here is that you don' t know. Let' s see. Anyway. The doctor thinks that what you dream of depends on what you eat. That' s not good. That motto of his says tell me what you dream and I' ll tell you what you comic. I mean, tell me what you dream and I' ll tell you what you eat.

7:05 Yeah, for example, look, you ever dream that he' s a very famous film artist and that all women fall in love with you if I don' t dream about it. Every ra a, every time you dream you already know what you eat is what as a horse and what team varies. Well, it' s fine weight. And that' s little because I don' t like this one, sir, no, no, Chico, you' ll eat it asleep without realizing it, but that eats that it' s a failure you' re that' s scientific. I' m sure he' s a scientist if you haven' t noticed. Well, Chico, what it' s called is that what I dream almost always Dani agrees with what with much aha if almost always what I dream agree with according to what as I really do look, for example, now I look good, if you explain, I didn' t understand it well, since things make me nervous. See how he gives you a footstep, yes, he already sees it He hears it a few days ago without going any further to enter the mannaque itself cloth of the manac a few days ago, without going any further behind the manacs. I dreamt that I would go up hear this hear to, that there was a guagua going up and that then the driver shouted given that he already rode yes. Then he would tell me step forward, parrón, loba me out there, porpe and then he would tell me to tour my family and what you two patartara had eaten. Another day I dreamt that I was in a cabaret with sophia Lorengo, hear that sophia to Lorence, yes, and sophia Lorren was wearing a dress to Rayas,

8:37 a shoe to Rayas, yes, a half to Raya, a hat to Rayer. Then all he had on was loren sophia was at bay all boy and you had eaten that night little Rayauchi, but the most beautiful thing was the night. At night, what he did last night, what he went out with his friend, uh, to the eight with a friend of his, to the eight, to the eight. Day later I' d give you what I' d done at night, oh no, I didn' t find out it was last night. Not the eight, well, eight a night. Yeah, last night I was in a terrible hunger, you know, a fantastic hunger, a hunger, but you hear me overwhelming as a scrapper, overwhelming was a devouring hunger. You too, no, sir, and that which you ate last night, no, no, it' s not that I' m exhausted five meres is worth five pesos more fine, Secretary, and touch me I feel like it, sir, it' s not worth following you, not nanina. The point was that you dreamed of a figure telling you to play the big dead. It is not so, yes, sir, and he acted upon you as a message sent from the beyond clear, Your Honor, because if it were not so, dreams would not be given as they were given. And you think dreams are good.

9:52 Doctor, that doesn' t admit argument. Not because Ana Nanina was given a dream in this draw and I was given another dream in the last draw too. Yes, sir, park it turns out that on the top floor of my house lives a dancer and you come past. I dreamt that the dancer would knock on my door and tell me tomorrow on Saturday, remember me, told him that tomorrow was Saturday and that you would remember him. Yes, sir. So I, when I woke up, yes, I started looking for the number was a dancer in a lebrito that I have that brings all the numbers in the charada, the numbers that have come out in the first prize of the lottery. In short, a series of things, all very useful and very instructive. But you know that book what it' s called the thirty- seven ways to eat balls. Oh, I don ' t know him. Well, that' s good,' cause I started looking for what number was Dancer. Yeah, but the dancer wasn' t on the list and what you played then seventy- six, and what ' s seventy- six the dancer. Well, it roars but and you don' t think that the thing about you dreaming about a friend who' s a dancer and plays ballerina, is one thing I don' t know.

11:01 Well, doctor, I really do, I know it' s not right, but come on. I had to play something and Dancer there was no number with what you took the seventy- six. How I didn' t take it with a fixed weight and a straight one. Then we must congratulate him. Right, well, don' t believe it, Doctor, I haven' t been able to sleep in my house for eight days. And that' s why, because the dancer found out, not everything, and he' s waiting for me at the door with a stake. But you have no reason for that, and you think you don' t, no, sir, because that was a message from beyond that you received rudeness, sorryness, rudeness. Well, yeah, but anyway, don' t tell him. The dancer, you know, but why, because he does find out. When we get to the sea, I' m gonna get into this house, so many people, already that poor dancer and let' s get to it. I' m sure the dancer is Guadalquivis' s boy. You don' t know, fulito, ah child of the nasío child balarque, that' s the child of the Guadartillo, the child, sir. Yes, sir, the point was you played the big dead.

12:00 It' s not that, yes, sir, I told him my rude dream and then we pointed it out. A fixed weight and a fixed weight each run to three skates. Yeah, on three skates and out on the sixty- four. Yes, sir, sixty- four came out. Yeah, three skates. He doesn' t pay them. No, sir, you don' t want to pay. He tells us this wasn' t the number we played. Very well. You can sit nothing on me. All right, buddy, three yards. Here now we' re going to talk to you. Me for a while. You heard the whole statement here. I edit the download and download, not the declaration of them. Yes, he heard Acá' s dream of the Guadarquivic' s boy. Yes, you know the Guadarquivi boy. He' s a friend of mine no longer. He' s a friend of mine Yeah, not anymore. The kid' s going to dark v good. So it' s true.

12:48 All that stuff three patis said, do me a favor, but the guilt is that they stopped her themselves. Yeah,' cause six of them stopped telling me this. He' s heard a message from beyond. It' s been a message further and then, well, they told me to point the big dead at him. I pointed out number nine as nine. The big dead is not sixty- four. Well, that' s in the charade of the more here, in the charade of the hereafter, the big dead nine and the nine is not an elephant. Yeah, that' s why? Like for that very reason, yes Chico, because he looks at the afterlife all the animals and all the bugs. We' re all out of it Uh- huh And it' s like everything' s dead, the biggest dead guy he' s got, he' s got, he ' s got, he' s got, he' s got, he ' s got, he' s got, he' s got, he ' s got, he' s got, he' s got, he ' s got, he' s got, he' s got, he ' s got, he' s got, he' s got, he ' s got, he' s got, he' s got, he ' s got, he' s got, he' s got, he ' s got, he' s got. Then the charatas of the afterlife different from here. Of course it has to be different boy, the one here, for example, has verse, truth there has no verse, well, yes, but they are not called verse. And what they' re called then the borrower. Like the pretaphs. The pretaph will not be the epitaph. Yeah, it' s for the best. You know what an epitaph is, as I' ll know. I' m sure you buy from my TVs or zebra a little. The epitafiedepe is the piltrafa. Yeah, it' s not pitaphy. Ah I already know what girl things.

14:01 I run my tapio. Suppose a little verse says so. Rudecinto and Nananina, don' t claim your money because I call it Mommy and the manicure has already sung. Yes, write the secretary that now I' m going to do an epitaph. I' ll get that epitaph. Rudecin and Nananina, there' s no remedy, as you see because your money requires you. But you' re a meaner bug than the carcoma. I shoot him for fucking thirty days in the hill or photo by Riente Avara Adolfo Pero and MiguelÁngel Herrera writes Castor Bispo, Production and Direction. Miguel Yao to Ubo Churches who speaks to them, tells them very good luck. Friends. Focused Audio