Señoricidio

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The tremendous court? The tremendous cut? To a public hearing, the tremendous?

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Judge of the tremendous Court is going
to solve a tremendous case or at

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night. Secretary, good night,
Mr Joe, how you keep on in

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regular health let' s go what
you have. Nothing, uh, that

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lynching put on a weight of Gregor
fines. So nothing, I put it

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is a fine weight. I know, because if it' s something,

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not something, because it already did. That' s about taking and putting

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some paper in the bell and that' s a fine. Let' s

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do it in favor. Well,
if you want it, then let'

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s go there and do nothing but
war on me. I feel good,

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Mr Juey, but that' s
got to be taken in jail because of

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the heat. You believe, how
not in what rhymes tropical, fifty percent

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of people, at least they look
of the liver in fifty percent. Right.

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Yes, Mr End and I think
I' ve stayed small. Well,

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you don' t have to say
that, because you' re seeing

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what. You' ve stayed small. Listen now, pretty girl, we

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' re going to see the good
guy and see what case we have today,

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a good guaguero who went against a
house and ended it, because tell

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me whose house a lady was.
It' s already complicated in that gentleman

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and place right away. Lord Hue
Luz, Maria Na Nani Na, here

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as every day, without dulfo rock
this present José Candelario, three skates to

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larrea well, first of all,
who is the guagero, who is it

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going to be, sir but who
can you think it is? Sir was

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the nice one, the funny one, the beautiful one on three skates.

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Well, don' t listen to
me, don' t you hear me

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so much, ma' am,
in favor of not saying that, because

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besides that I' m not a
guagüero, then this driver ofÓrnibus,

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driver ofÓmnibo, ruiner of house. And what you are, I won

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' t know what the thing is. It wasn' t for as much

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as it wasn' t for so
much clumsy. You didn' t put

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your guagua into Nononi' s house. No, yes, sir, and

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Nula derupbo. No, no,
no, sir without Dolfo, all I

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did was change the layout of the
house a little bit. How to change

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the plan of the house. Yeah,' cause where the kitchen used to

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be, now there' s the
living room. Yeah, where the dining

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room used to be, saves the
bathroom and where the bedrooms used to be.

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You know what there is now,
that there is now a beautiful terrace,

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outdoors b and the portal. Well, the portal like it was from

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the first one the house had portal, of course, that I have it,

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well, then Jehotak was equal,
that it was made as equal,

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that you are equal, that it
was before I manufactured the house. But

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that' s fabled. Hear how
they manage to make a new portal.

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Any playmaster, that' s what
you do to him in the three weeks.

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So, what do you expect me
to pay for it? No,

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no, no, no, no, no, no, no, no,

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no, no, no, no, no. Oh, no,

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no, because I could keep it
to babies. If you can, if

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you trust him, do me a
favor, but hear me have Cuedo you

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' re hearing what you' re
saying, they' re water. Not

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this one, yes, of course, but we' re on the side.

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The thing was, on three skates
I was driving a guagua. It

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' s not that, yes,
sir, and apparently he crashed into Nananina

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' s house. It' s
not like that, yes, sir,

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and why that shock, because I' m sure the doctor' s excessive

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speed, because I want to warn
you that I attend this trial as a

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private accuser on behalf of the Clash
League. Yes, indeed, yes,

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sir, and according to the statistics
that that League carries, most of the

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wounded who enter emergencies daily are only
victims of speeding. Really, really and

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well yes, you want me to
read you the list of those who entered

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today to see you to the leala
hear it you yes, Panangana anicetto injured

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all over the body, you crashed
with your machine against a pole when you

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were going 90 kilometers per hour,
victim of speed, right. Evaristo Curricán

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frozen with his sidecar against a truck
of ten tons loaded with bricks, victim

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of speed, truth, a moment
without dulfo, that side went with speeding.

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No, sir, the one who
was speeding was the truck. But

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the fridge is a victim of each
other' s f- speed, right,

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uh, right, yeah, yeah, and how' s the fridge

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a regular. The one that'
s very serious is the lane. Don

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' t tell me the cart'
s bad. Yeah, because he had

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a hemorrhage from Guanabana tremendously and you
think he' ll be saved. Well

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let me see, right now,
when I was coming here, you were

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going to have a butter transfusion,
well, well, continuous, so it

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was a calandraca dino, ballerio,
contusion to the head. Victim of the

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speed, truth of what speed of
the pitcher. He didn' t see

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the ball coming until he hit him
in the middle of his head. Ah

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come on, and what else,
abelin, caradure, injured and traumatic throughout

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the body. He was surprised by
his lady Dancing in a cabaret. Victim

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of speed, also true of what
speed of the face, son, because

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he had told his wife that a
wake was going very well and what else.

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Heriberto Frescolin, accompanied by a nurse, has attended cookie in the left

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eye and kicked in the right tap. He tried to hug a nurse five

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minutes after meeting her veil victim and
the truth is that hair, but you

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' re also at speed there,
well, what yes, yes, how

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you' re going to get in, to hug a nurse five minutes later.

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That' s a speeding here and
anywhere, well, that' s

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fine. Let' s accept that. We' re going to accept no,

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sir who' s going to accept
you or me, ah doesn'

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t get ah well, that one' s judged. We have to accept

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that. Then you think that the
three duck accident was due to speeding.

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Not exactly that one. My dear
doctor, forgets, forgets, forgets that

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perhaps my dear doctor, my dear
doctor' s process. You want me,

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man, like night with us we' ll have our dicussions, but

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deep down I' ve got you
a treat I can' t see you.

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Wait a minute, three ducks Explain
that to me, please, what

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' s that? You say you
have an affection for me that you can

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' t see me. If I
see that I cannot see you without greeting

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you immediately with appreciation, with affection, with love song. That' s

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what you wanted from that man.
Of course, give him ten pesos of

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a fine in case of a secretary, and now answer me three times yours,

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ju aguaero, it' s not
that, no, boy, I

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' ll be able to repeat it
to you. I' m an Ornibus

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jofer. What about Ornibus, Ornebus
Ornebus that' s what that is?

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Bye- bye, boy, what' s that Ornibu Ornibo, I don

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' t know what it is.
Now he wins the translation in Guagua'

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s hat in English. Orninus isn' t, sir or bono, it

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' s called Wawa is omnibus.
It' s notórnibus, that r

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' s why he' s going? And it' s not the same

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carriage, it' s not the
same one that' s not the same

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claw, it' s the same
sir, I think, but it'

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s wrongly said as you say,
well, no ray Orni driver, so

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that' s the French one,
it' s the Ornibus phrase. But

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you' re one of those eight
ornibus coffins that go down the street like

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lightning. No, no, no, no. I never go like a

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scratch. I' m going like
a sparkle. No more I didn'

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t see myself anymore so you'
re going like a sparkle. Yeah,

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but today it' s like a
sparkle of the slow ones. No,

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because I' m one of the
jofferres who never runs in my life I

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' ve been vey of speed,
as he says, sure, sure no,

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no, no, no, no, no, no. I swear

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to him a word looks, because
twenty- three or polines that are still

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wide street and avenues, uh avenues
yes, and wide avenues, yes,

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come on, uh, uh,
uh, no, that' s mean.

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I tell you it' s avenues, avenues, streets, avenues of

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preference, we tell you. But
avenues, avenues, an avenue is a

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wide street lar a, well,
then still down that street axe I run

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a little, no yes, but
for example, it poses Rafael, Rafael

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de Lamparilla and the other street so
I never pass the hundred and five kilometers

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in itself and it seems little come
that to whom he taught to run like

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this, Juan Manuel Fangil, No, no, no, I taught Mamita

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che what he tells me. Your
mommy drives a car. Yes, she

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has a package machine, a package
machine, if it' s an old

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guy who has worn out the transparent
doors that is like this, yes,

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sir, and lame counters, because
she has a stick wheel. Don'

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t talk firefighters, ma' am
It' s a beautiful five- door

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car. How to say you know
four, no, no, no,

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this one of five poets, because
you start it here, for example,

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it starts walking on average at the
five doors, stops and does not walk.

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Macha, come on, here,
come on, and that machine that

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you just mentioned there is a package
machine yes boy, package, package so

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you can get tired buano the one
that throws us good. But anyway,

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I want you to explain to me, because here we have talked about everything

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but what the accusation is made,
which is a clash you had with a

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house. I want you to detail
me in detail how that happened. You

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broke into a nanny' s house. Okay. I' m going to

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tell you I' m preparing the
guagua at the location for the part of

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the seat, precisely not for another. To be on the other side to

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take a head at the time they
were asked to tell me with the watch

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to greet them. If they tell
you there nothing more than to say the

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clock to go out ah welcomes him
to catch it is the trinerary chiqui ah

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is that the trinerary, the route
that you have to take itinerary yes,

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it is trinitarian, no, no, not you and not money of or

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I was born good he or he
said to me from peiro to collo.

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I get in the voice of being
the driver hooks that he' s taking

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a coffee out of the exit and
right there jumps and hooks. I'

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ll take all the time train for
the route. To read the thing.

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Then he rode a passengerroite mounted a
passenger aha then, like I see that

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the horre of which he had already
walked forward, no yes, but hear

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the thing is that you got into
the house of the nanny. Yes,

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if I' m going to stop
there like this, if you' re

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going to see the glass it was
nananina that came from passenger of my guagua

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to her was going in his guagua. Yeah, you didn' t ask

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her. Yeah, and coming in
front of her house, she just yelled

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at me looking at the ferra that
I' m staying here. I wanted

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to roll up the guaguatan grid,
but it was also settled that when mevineda

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told me I had already got inside
the house. I' m going for

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you and how did the boy passengers
come out divinely. This borito, this

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yes, as there wasn' t, like fifteen lessons, what are we

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left with? You don' t
say the passengers went out divinely. Yes,

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they all came out divinely, because
the windows are big, wide for

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that very thing. But when they
were West, yes, where they went

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divinely afterwards through the windows, yes, well, less one who was blown

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away by a drop dueve that he
may have had and that one had to

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be pulled out aha, but as
soon as they took him out in the

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guagua he went a little soto and
the man began to walk. As if

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nothing limping perfectly broke a leg.
No. No, no, it didn

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' t make a scratch. Then
why did he fuck? No, he

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was the lame one at birth and
ah come on, but irreparable loss.

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There was no truth. By the
way, yes, one of the passengers

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lost his mind, yes, and
he couldn' t find it. No,

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Chico, no, I say he
lost his mind because he lost his

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serenity and instead of running towards the
wax, he ran across the street and

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was hit by some machine. No, but he stumbled upon a friend who

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he owed him twenty pesos and had
to pay him there because the friend needed

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it. Yeah, but he didn' t die. Hey, he didn

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' t die. No, no, Chico, he was going to die.

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And then what was the loss of
repairable and the loss of the twenty

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pesos seems little to you. Oh
ray, let' s not discuss that,

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but there was some good Erico Rami. The only serious case was a

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passenger who lost the memory of a
compa who was seen in the head.

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He didn' t remember who he
was or where he lived or anything about

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how he didn' t remember anything. Chico Juan didn' t take him

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to the bride, who were very
pretty by seven who did nothing to her

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Bride to see if she recognized him
Aha, he asked her who she was.

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Look how the Lopez was asking him
who you are to the bride.

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Yes, and from there they realized
that she had completely lost her memory because

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she didn' t remember, or
that she fished to fall in love with

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everyone. Boy, poor man,' cause I' m sure my myth

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is where the woman fell for another
boyfriend. Oh, no, no.

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No. Nor is it that women
are not so changed hunters. The horrible

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nonsense, sir, that you know
about that, that you' re going

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to throw half a man at me, look, it' s not for

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00:14:01.200 --> 00:14:05.039
nothing. But once I had a
girlfriend who spent the day telling me I

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00:14:05.519 --> 00:14:09.960
swear I have no love but you. And one night I thought I'

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00:14:11.000 --> 00:14:15.039
d go into a movie theater and
there she was with another and I wouldn

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' t be a friend. No, because the face he put on when

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he saw me wasn' t friendly. What he did to you. I

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00:14:20.120 --> 00:14:24.080
stood in front of him and I
told him ah, ungrateful, perverse woman

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and you' re naturalized like the
reverberal spirit you didn' t swear to

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me that you had no more love
than me and she who replied that it

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was true, because the other was
not his love. Ah well, but

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anyway, the thing is clear.
Trespatino has been the only one to blame

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00:14:37.360 --> 00:14:41.519
for that accident and therefore has to
pay for all the damage he did to

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Nananina' s house. Well,
then, I can add no that there

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isn' t like that. It' s not like that. No,

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00:14:45.879 --> 00:14:48.879
sir, according to the law,
you have to absorb me why I have

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00:14:48.000 --> 00:14:52.600
to solve it. Up high,
what happened there was that my guahua'

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00:14:52.720 --> 00:14:54.720
s defense crashed into Nana Nina'
s house. It' s not done,

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00:14:54.799 --> 00:14:58.320
yes, Mr Well, it was
like the guagua is my property,

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00:15:00.159 --> 00:15:03.879
the defense of my property also so
it has to be me why, because

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00:15:03.960 --> 00:15:07.840
it' s a clash in self- defense. Write there, Secretary,

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come people the laws. I know. No. I allow you to teach

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me laws and, in addition to
stating that you will pay for the damage,

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I suspend your aquila wallet for ten
years. I put him Fernández,

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00:15:26.600 --> 00:15:31.559
Aníbal de Barra and a thousand Manolon, the punic Díaz writes Castor Bispo,

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00:15:31.799 --> 00:15:37.840
Production and direction of Maconara, bad
ones who speak to them. You say

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good luck to them, folks.
Focused Audio