Microfonicidio

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The tremendous Order, the tremendous court, the public hearing, the tremendous judge

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of the tremendous court, is going
to solve a tremendous house. Good evening,

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Secretary, Good evening, Your Honor, how you are still in health,

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for there as always with my ailments. Ah, don' t say

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that, Your Honor, that ailments
are old- fashioned things. You'

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ve got no clogs, they'
re then kills. Put on three weights

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of molta for that disrespect to Mr
Juan what things. I disrespected him.

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Yes, sir, because kills have
nothing but animals. Who says that'

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s the dictionary. Then who has
to put those three weights of mults in

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the dictionary, not me, no, gentlemen, to you and just tell

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me what case we have. Obviously, I' ll put three more pesos

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on them for good, Mr Well, get brave, because we have today

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are a gentleman and a lady who
accuse a lightning singer of vexation and that

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' s why. Because they say
that singer offended them from the microphone,

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because then he calls the complicated in
that microphone and city right away. If

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you judge light Mary nothing Nanine here, like every day, rubécingo Caldeiro and

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this vine people or know Candelario,
three papin alar Juan, let' s

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see who accuses here. I,
Your Honor, accuse three skates and so

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do I, but I accuse you
harder than you. I accuse him harder

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than you. No, yes,
I accuse him a little stronger than you.

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I' d know to see him, because I' m throwing the

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lightning at him, he hit the
whole turbonada, well, while you guys

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argue and pass the gua zero that
I' m going to get to my

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point a little number, right?
You' re not going to score any

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numbers. I didn' t tell
him not to take me with anything,

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to stay there and see Rudecino who
made him three skates. You insulted me

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on the radio, doctor, and
so did I, Your Honor, it

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' s not true that you'
re six ungrateful. What' s that

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about six three games, it'
s six guys, no, sir they

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say you' re ah yes,
yes, tell me how rude the insult

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was that good doctor, because that
was that three skates is now dedicated to

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singing decimaga radio tours. You know
how to sing tenths, what a gir

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of the one who got married.
Guajiras, Eh, guajira, guiras,

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guaja you sing on radio three patis
that you there a program of that musical

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wadir music, with what is a
musical guajiro program of music? What time

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is that show? Six o'
clock in the afternoon, how are you

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six o' clock? We'
ll keep you guys. I so say

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you are or say you are or
say you are six when it comes to

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six o' clock in the afternoon
it is said six. Ah we go

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in the afternoon, it' s
called the six and in the morning.

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You say that no, sir,
you say you are when it' s

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the verb to be and you say
six when it' s six in the

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afternoon and when it' s six
and a half, as the mega says.

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That can' t be. Yeah, why can' t it be,

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' cause if at half past six
in the afternoon you say it'

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s six o' clock, they' re gonna say you' re giving

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a very late man? Why too
late? Man, you got a half

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- hour delay, fucking fine weight
for being a bouruco, but come here

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once and for all. That'
s the mouth. There' s the

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mouth. Put a little more weight
on rough and keep going. You'

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ve already been through three games.
Well, because I wrote him a letter

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asking him to dedicate one of those
tenths that he improvises. Yes, sir,

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and what trematin he did to me
was such a serious offense that if

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you don' t put him in
prison for life mash, I' ll

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never look him in the face again
at my rude moment. Don' t

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start coercing me because I don'
t consent to it. Well said,

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put ten pesos of muta in there
so it won' t be so bold

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guys shut up. I was helping
you for my mother. I don'

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t need you to help me and
Nanina who made three skates. Likewise,

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Your Honor, I asked him to
dedicate a tenth to me and ridiculed me

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in the face of all my friendships. Imagine that they were all listening to

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radio so he would dedicate me there
and you have many halves. What do

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you care about my friends like I
won' t care. Ladies, I

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' m very interested to know how
many halves of you were listening to me

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to get an idea of how my
music program is coming in the next mamé

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and what you' re doing,
which is next mamaitre Ftn in the mamese

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that you do to know what you
hear in the programs. If it'

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s called Sorbey, not guys,
Sorbey is a railroad, the sub-

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barter, like his bacter by bass
on the ground. You Randy Earthy of

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that thing in New York Come on
you' re gonna put it good too

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here in Guadabaco you' re gonna
put it underground, you' re gonna

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put it, you' re gonna
be able to see that, that'

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s like you have three, like
the time you told me you were gonna

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put air conditioning on the whole band. They' re gonna wear it.

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You have to condition and wait for
nice and hot water, hot and brave

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water pipe cold and unconditional air,
unconditional, but you have to put a

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roof in the barna so that it
can withstand cold, in fact, so

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that it does not go to the
cold air where it is lost. In

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which season you sing three games,
not me, in the four chi like

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the fours, in the four seasons
in spring summer, autumn well, three

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skates, nothing, nothing. I
ask you on what floor sings to you

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ah on the ground floor, Chi, how is the ground floor? Yes,

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Chico, I asked to be put
to sing on the ground floor so

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I didn' t have to climb
the coffee pot, what it' s

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like to blow the stairs or come
who hired you to sing on radio or

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radio. Mommy, Chi, Mommy, your mommy has some of them.

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It' s got a stack of
plants on the bana, not on the

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balcony. He' s got,
like, ten or twelve more and I

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don' t care about the name
of the station. But you have a

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program of tenths guajiras, I don' t know, yes, precious program,

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a beauty and you sing well or
Manchi sing to me better than Pedro

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var what you tell me you have
better bus than Pedro Humano, no,

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I haven' t said better hot
And then, why do you sing better

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than Pedro Barcas, who sings standing
and I sing sitting eight, tell me

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and sitting sings better. Of course
you sing better, because you sing much

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more. Comfortable. Boy, well
come every three games from you. He

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knows music he laughs at ah because
you give me he hears that you ask

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me a question of Galocha so that
you see what a cauldron is, Eh,

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cauldron, cauldron is a big cauldron
of that which he has in the

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fonda. We sent you a lavanzo
potage. It looked like eight are single

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- tailed. Uh, what'
s called a corkscrew, a corkscrew from

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the cors factory properly, if you
do, you know at least what the

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staff is. Yes of course,
Chico, this branch is a very large

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building that is in the north and
that is full of general not for you

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man. That building is called the
pentagon. No boy, no man,

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they changed his name. They didn' t change him He must have changed

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him. No, sir, let' s see if you' ll explain

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to me little pin and no hesitations
of any kind. Why did you insult

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Rudecindi or Na Nanina, good,
but if I didn' t insult you,

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sir, what happened there was a
little mistake. Nothing safer. Let

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' s see how it went.
Well, the thing was for that screaming,

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not for you to know what happens
that we' re going to get

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excited, as there' s reason
for what you can calmly see what was

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like the thing. Maybe not,
no, no, not so short the

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natural thing between the two. So, the thing was that Rudecin didn'

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t sign me up as a missive. How did Chi, Chico, sign

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up for me? He wrote me
a letter of criticism And also, no,

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sir, he wrote it to you
Yes, he asked me to give

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you a tenth on the radio.
I think the letter I have here is

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an idea to see what happens.
If it hurts your chest that that car

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doesn' t there you carry it
to the gang you want to read you

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don' t, you don'
t give. I don' t mess

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with him myself. I don'
t know what you' re saying here

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in the part of the prete that
I take you bye- bye, caramba,

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let' s read it as a
catcher. It' s just how

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I' m gonna read the mugging
to see what' s going on.

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No, Mr Léala, as it
should be, says very much if I

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myself as a compadre chair. I
put some armchair in there so it doesn

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' t say much of mine,
Chico, No, sir what you say

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is very, my lord, ah
yes, truth and I hadn' t

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seen the h But what have you
done, men, if you haven'

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t done any there. That'
s why I tell you I haven'

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t seen her, Chico, because
there' s no good, well,

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keep reading that says the meat and
says very, my lord, comma didn

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' t tell her this cot.
Now I' m responding to you see

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that what you' re reading there
what the letter says, Chico, here

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it doesn' t say they told
you this catrn No, sir I'

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m sending you this letter. Yes, it' s true, it'

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s just that I translated you from
the Galician that I want. But if

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that again, Castellón says I write
you this letter to splash you with egg.

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Look, no, man, it' s not a bird, Mary

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very pure to beg you again because
I had already written you another letter without

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you listening to me, Well,
all right, or king to beg you

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again. That' s right,
even if I' m a beast,

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not a man, no, even
if it' s a nuisance, well,

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yes, but a moment to cry
the cata eta. Ro' s

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not addressed to me, yes,
but I wrote it I don' t

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have to see guys. If it' s addressed to me, I have

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the right to read it as I
please, and I' m whistling God,

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doctor I beg hostile. Don'
t worry, rudeness, that justice

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will be done to you, but
those really are. Dude, uh,

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justice, shut up, but justice
is true. The garbage of justice you

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do to me every seven ten pesos
of fine. That' s how I

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like you to be strong. Thank
you very much. Nothing follows your nonsense

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and then put ten more pesos on
it and finish three skates. What else

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does that letter say, for if
here I look to beg you again,

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even if it is a nuisance,
that I dedicate a tenth your very silly

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trout tail, Rudecita, no,
no, moment, moment has. No,

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it' s sure that' s
where he says his very silly trout

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tail. Yeah, yeah, no. No. He took it easy for

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me. Don' t bully him. Someone' s watching his very attentive

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radio listen. Yes, then,
Rudesindo wrote you that letter asking you to

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dedicate a tenth. It' s
not that, yes and Dona Ana Nanina

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also wrote me another one that I
have here too, as Nananina' s

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says, to see you wait,
let me see here it' s viete

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says string of the same one.
That' s not the same one.

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Rudeciendo not goodbye look vote the letter
and I was reading about things no.

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No, no, get him in
there There' s the song. It

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says sane three skates, sane no, dear, three ducklings as dear and

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it' s taboo what' s
behind the cuckoo. It doesn' t

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ring yet, three fatibles, because
it doesn' t ring. He sank

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with a bomb, he didn'
t melt anything. But in spite of

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that, it says dear. You
gave her the song before you found it.

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No, sir, I don'
t know how you know what he

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says. Boy, don' t
worry and keep reading good without worrying.

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No yes, always drunk dear,
three skates, two points notice not up

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and go the work hears and up
tracks the air, how it is in

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the air. Yeah, he can' t take anyone. Look don'

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t be done, Hechi don'
t worry either and keep reading ol ray

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is told to ray or say or
ray how if you say all right or

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say all right? Sted hasn'
t said it the same way, yes,

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but in both ways it says what
you love three skates, whether I

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go crazy or that boy can'
t do a grammatical query. No,

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sir, don' t ask me
a question and I' ve just read

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the Nanina letter. It' s
okay. The letter says so dear three

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skates. Yes for the present.
I' m robbing you, I'

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m not wringing you so I beg
you, yes, I beg you,

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I beg you to dedicate a tenth
to me. Gajira, no Gajira,

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what are we doing, guys?
You didn' t tell me one time

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it sounded like that before. Now
it does sound that way to fix it

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already, no, sir, they
fixed it then, because now it sounds

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and first they' re nothing,
because the U behind the Q doesn'

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t ring three skates. How you
say it' s the U behind the

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Q doesn' t sound good.
But if we' re not behind Cuba

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here, like we' re not
behind the House, ma' am,

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we' re inside the Cuchica.
Not where you want us to be in

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the word you love, not the
U, but in the word guajira.

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Yeah, because spelling is like that. Who did the otography, I don

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' t know, I don'
t know him and you' re going

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to make him a person you or
us. If you do, sir,

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why is that what the grammar orders. Grammar, who is that, ma

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' am, grammar isn' t, Mrs Ta Soltera, you don'

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t hear from my mother that I
don' t understand what you' ve

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taken from me this man has from
me. That' s not gonna send

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me to dungeon that street I just
said how it ends. Pull out right

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now, well, you finish and
say favor. I' ll thank you

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for beef. No, no,
beef, no, forever. So,

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eternally yes, taking fat from the
heat or I' ll send you thanks

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for the favor. So and sign
light Maria Na Nanina, widow of Fernández,

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gunta hears as teacher, this majera
at my side really boy, as

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he has progressed, figure with me
I met her. I was signing with

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a group. Who signed a cross
let him leave Naniella. Tell three skates

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what you did when you received that
two letters. Nothing got me out a

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00:14:07.000 --> 00:14:11.919
tenth for each one and Nananina got
a hear I priced like that tenth said.

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That' s how it said for
your face of your ivory teeth You

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00:14:22.759 --> 00:14:28.279
' re the gentlest light that lights
up all over Havana You have kind of

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00:14:28.440 --> 00:14:31.879
sultana and like what your Anhelo is. I' m gonna ask heaven to

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00:14:33.080 --> 00:14:37.879
get you out of your burden and
get a boyfriend, be a model man

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00:14:37.159 --> 00:14:46.000
or it' s wrong. Nana, that was the tenth. That was

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00:14:46.080 --> 00:14:50.720
the tenth you made for Nananina.
I made that one Pananea. The only

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00:14:50.840 --> 00:14:54.000
bad thing was that when it came
to singing it, I was wrong,

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like he was wrong. And instead
of dedicating it to na Nanina, I

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00:14:56.080 --> 00:15:01.919
dedicated it to Rulecita. You dedicated
that more rubes to him. No yes,

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00:15:01.120 --> 00:15:05.519
doctor, yes, and you will
understand that this cannot remain so.

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00:15:05.600 --> 00:15:07.679
I' ve got to get some
smoke- filled justice in this courtroom.

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00:15:07.720 --> 00:15:09.759
What a thing to do. You
bring a revolver, no, but you

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00:15:09.879 --> 00:15:13.559
bring a seven- cent tobacco and
you don' t give me better three

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days. I get it. No
And I must also do justice to myself,

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00:15:16.440 --> 00:15:20.279
because if I don' t light
it, I too or you bring

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00:15:20.279 --> 00:15:22.200
another tobacco. No, I don' t turn on any tobacco. What

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00:15:22.279 --> 00:15:24.759
I' m waiting for you is
at the exit with a stake and I

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turn it on you, but in
a way. Okay. The point is

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that. I' m going to
say that I kind of gave him the

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00:15:30.639 --> 00:15:33.639
tenth time that Pana Nanina had taken
out, I had no choice but to

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dedicate him to Ana, the girl
I had made parrols to, not as

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I said. That' s what
I said, your face is a little

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00:15:39.720 --> 00:15:45.039
ugly. Today, on top of
that I' ve noticed that you'

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re a little more wrinkled every time
I see it. But all in all,

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I think your boat face is more
elegant. It is noticed if you

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cover your cheeks with a good pair
of sideburns and a beard and a mustache

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and dedicated it to you, Na
Nanina. That was the one I told

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00:16:03.399 --> 00:16:07.960
the Venia, but it was a
mistake that any cancrio and secretary has and

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00:16:07.960 --> 00:16:12.519
the sentence comes. I really don' t know if that mistake opened up

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00:16:12.639 --> 00:16:15.200
good faith to you or if there
was a bad intention. More, how

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00:16:15.279 --> 00:16:21.080
is it possible that there is a
hidden bad idea to pay before ninety pesos

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00:16:21.320 --> 00:16:32.360
of fine goes away. Ayo fondo
por rendera abal Remica, Adolfo Pérez,

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00:16:32.440 --> 00:16:40.360
MiguelÁngel Herrera writes Castor Bispo,
Production and management. Miguel ya or Manuel

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00:16:40.480 --> 00:16:51.679
Iglesias, who speaks to them,
tells them very good luck. Friends. Focused Audio