Fantasmicidio

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The tremendous edge, the tremendous court, the public hearing, the tremendous judge

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of the tremendous court, is going
to solve a tremendous case. Good evening,

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Secretary, good evening, Your Honor, how you feel today. It

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' s health, well, me
regular and you good. I don'

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t feel very well. You can' t give us a fine for feeling

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better than your boss. But listen, Mr Thursday, you said you felt

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good or bad. Or else I
don' t feel well. Oh,

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I don' t know. If
you see yourself take the weight off,

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then ah, well. Yeah.
That' s different. No, no,

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no, nothing' s different.
I' m proceeding to tell me

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what case we have for today.
All right, Mr Joue. The case

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we have today is a case of
phantasmagory, a phantasmagorical, phantasmagorical step of

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phantasmagory by what ghost? Because I' ve heard, he' s a

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ghost, a ghost, yes,
sir, he' s a ghost who

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' s afraid. What I'
m saying to see, I' m

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already seeing him rebuffing. Call me, there' s the complicated in that

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fantasy murder right away, Mr Juan. Then Mariana Nanina here as every day,

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Rudecino, Carnal is not and Coviña
resents or is candenario three skates to

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good larrea Secretary, keep calling what
if there is no more, age who

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to call as that there is no
more. Nobody compa where the ghost is.

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Oh, ghost, oh, fantapa. The ghost is three skates,

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or you tell me you' re
the ghost who accused me of three pantins

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ah boy. I' m the
one who' s not bullied, but

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the one who' s unfairly abused
because I' m not fanatical. Like

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no, no, ma' am, that' s not it. Ma

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' am, I told you that
yours was a mental confusion caused by a

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wrong mistake, girl, wrong that
I mate man for God, I didn

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' t again to you, when
I came out of Nanina' s yard,

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wrapped in a sheet with a hen
in each hand, yes, chito,

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then again hazing corn and salmae some
small crime, no, sir I

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want to say that the other time
stealing chickens not that yes, toughie,

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I wasn' t stealing chicken chi
to see ya ya no, and what

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I was doing then, I already
told you, ma' am, I

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was saving them, not to see
them, no, no, Nina,

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to what matter is that one about
the ghost, Well nothing, Judge,

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that rude tape three skates and I
live now in the coconut neighborhood alone together,

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well, not rude and I live
in the very center of the neighborhood

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and three skates live towards the outskirts. So you three skates don' t

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live the same coconut just not my
house comes to stay for peace outside of

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the Copache race. Secretary or a
little fine for that explanation to three skates

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continues on a nanine. What happened
in that neighborhood, because it will be

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a matter of a week that in
that neighborhood at night a ghost began to

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come out. Ma say, a
screen started coming out. Ah yes,

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he' s a doctor, yes, but it happened that every time the

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ghost came out of some yard,
three or four chickens disappeared. Okay,

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and you don' t believe ghosts. Right. They' re going to

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be clear that they don' t. Mr Thursday, ghosts don' t

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exist, well rodestint as much as
they don' t exist. There is

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no Nina, because I once saw
a ghost that I saw. Uh,

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see yes, sir, what a
ghost you saw, the ghost of the

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opera. I saw it. There
it is, I saw it too I

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feared it, but that' s
not a movie. Yeah, you don

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' t see it, you don' t see it, either, because

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listen to me when I' m
going to put the phantom in the lab.

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That' s what you' re
gonna see, and you' re

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going to see how relieved we'
re going to get the three of us

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out of the movies. Why,
man, who' s uglier than us,

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walk what a uglier cost than us, three who don' t ask

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me there, no, you,
I' m not talking. I'

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m not going to derusinri. I
thought, of course, well, yes,

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more clearly, man, if you
fall together, the three of us

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secretly beat you there one by one
secretary, tell me to give you twenty

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pesos of fine. He climbs for
that disrespect to the Judge. Yeah,

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out of disrespect I' m not
gonna put anything on you, not yours

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I don' t care about myself. Nor because that' s one thing

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you can do for yourself. Thank
you and hear me not Nina. That

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opera ghost thing is a story because
I was at the Paris opera and I

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didn' t see any ghosts.
Don' t tell me you had in

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Paris. I' m comfortable.
I saw from Paris recently. Yeah,

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no, I don' t like
you guys. No no, because I

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came from Paris. I also add
more and put twenty pesos more secretaries or

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that boy because in the end Boode
felt you did not believe that that ghost

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was true. It' s not
that, man, of course not,

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Doctor. It couldn' t be
real, because ghosts don' t exist.

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If there are rough tonces. I' ve seen it, chic I

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' ve seen it where you'
ve seen it, man, in the

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small field, with the inside.
Once I saw a ghost wrapped in a

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white sheet moving the arm will go, I will jump and that where you

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saw that ghost wrapped in a sheet
savannah, savannah, yes, and soon

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after I saw another ghost, wrapped
in a sheet, also in which place,

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in savannah Sabanas, Good compadre,
but hear me those ghosts serve us,

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because everyone knows that in the field
hait by very alive. Not that

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I' m disguised as ghosts to
steal gainas and chickens. There' s

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nothing more than support. The first
is not the first case that looks not

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good, but it is necessary that
here, in the hard Havana I saw

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another ghost, another more than me. I lived in a broken ear of

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pedrizar. It' s been so
you tell me that you saw him at

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night at night. I' m
not cousin night. Let' s see

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if in the course, in the
contests I saw today in an old house.

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I lived in an old house in
old Havana. There was life and

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in that house every day, at
five o' clock in the afternoon,

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late five o' clock in the
afternoon, if he made an evening ghost,

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in fact, evening, there was
a shadow that walked down the halls.

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You know, but at five o' clock on the rate, he

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does know how the neighbors used to
call that shadow how the shadow of the

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five girls wouldn' t tell me. And that shadow, which became a

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boy, walked down the halls and
almost always walked alone, though one day,

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as I was told, the shadow
appeared with an umbrella. If that

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was raining. No, no,
no, I say with another smaller shadow,

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an umbrella, another smaller shadow,
a umbrella, a sombreta. Yeah,

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you think she' s a sombreta, but umbrellas. You think she

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was dreaming. I' ve never
seen a fantasy with a lost family.

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You saw me that ghost. How
far away from you I' m three

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meters, five meters, six meters. At what distance a little bit,

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well, what do you think I
should say to the one that wasn'

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t, to the ones that it
was good. I in one mouth make

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way for how many steps from you, well, as well as three or

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four, depending on the size of
the foot that is not which foot the

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same gives one foot than another not
foot and foot foot foot no, your

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foot my foot twelve inches, one, three or four steps in the Spot

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four times and did not scare you. What a ghost, no, no,

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no, why would I be afraid
if I already had enough with what

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I had boy, well, what
did you do when you saw na.

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Oh, imagine, I was filled
with courage, don' t tell me

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to go up and I had to
run. But yes, I ran nothing

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but a couple of meters and why
it stopped. No, no, if

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I didn' t stop, why
don' t we stay? You don

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' t say he just ran a
couple meters. Yes, because at two

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meters it was in the calera and
to reach the galley no longer corrilla the

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one that made then ah head it
will be made rhodó rovente here and some

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wound has been made. Well,
no boy. The only thing I did,

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as they gave me in the house
of Socorro that explained it to me

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after you well, was a silk
wound of twenty- five centimeters of tension,

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with frayed edges on the outer left
side of the fabric of the trousers

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Go. Or then you lost consciousness, uh you lost consciousness and then you

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wouldn' t want me to pack
at the Mira Chiqué station, a package

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I sent myself from. He lost
his senses. So, not to make

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sense of what I was saying.
Ah he was meaningless, as if he

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dreamed yes, sleeping asleep toes lights
ombled between two lights, between two lights.

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But you either realized what was going
on or you didn' t give

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me coey and didn' t give
me. It was one thing, so

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I came to vumberra itself to see
well, when I was eleven ten a

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heifer was unaware. You put that
shadow and between two struggles always pacha man

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go tocho this one does believe that
ghosts exist truth joke, Chico insist how

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incis I' m going to believe
that you did, that you really insist

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on what you insist, what do
you insist? That there really is.

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You too are opinions, no,
sir who says so listen I wish you

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would see Victor of the kind of
ghost I saw when I had in Mexico,

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done, but you also saw ghosts
in Mexico. Well, Chico,

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I saw well, I saw just
one, but it was worth Potiechi.

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So what a ghost it was that
you saw good. It' s a

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Mexican generation. Hey that Zacatecas army
zacateca thing, what zacateca he is,

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i e to sabotatic, Eh astetec
army that is going to bring the wagons

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of your exa life out. Maybe
I won' t hear him name Hechi

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I could do what was called mo
plutarco terras per coconut how how it is

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how He, the man called himself
generated maximum plutarco I scratch you coconut was

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barber, not dog, not boy. What was Zapatista. Come on,

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it was Zapata' s, yeah, Zapata Aja' s, he was

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a big fan of Zapata. He
did politics for Zapata. He went to

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the revolution for Zapata, and when
he didn' t die fighting for Zapata,

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they took him to lay down for
Zapata. They didn' t take

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him for twenty- three or twenty- three, too. Yes, but

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he died in Havana, he didn' t die in Mexico, but I

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tell you he was taken across twenty- three different streets, because he lived

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far away from the cemetery. Well, and where did you see that ghost

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in a Massa Pimpo Plan canteen from
where to others, already pin po Plan

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plus poplaco pin plus sa pin potalang
that other town. What you do,

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where is that that that was you
know where Tulanulango is, not you Anhulango,

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because it was ro kilometers further ahead
of tula Hulango, you Sande,

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which was facatative, facatative and went
to casugar, no and Colombia you don

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' t know pull yes, well, and what about your lango, yes,

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no, no. No. That' s to notice it' s

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a bit rocky. Well, Ray, I don' t care, I

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don' t care where that town
is. But how' d it go?

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Well, in the canteen that'
s kind of rocky and in that

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way I' ll see myself entered
the ghost in general, so he snuck

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in. He was a terrible ghost
because he couldn' t see. So

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he made the ghost tro the canteen
and told the bartender ome there a tequila

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moment, a moment if the ghost
had no head. With what the tequila

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took that and how he said that
with what mouth, with what mouth that

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did, how he said that with
the mouth of the togamo Blessed God Broga.

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That ghost was ventrilo or the ghosts
are what he wants. For that,

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that' s fantastic. Let'
s accept that. I guess the

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tequila you asked for would be taken
with the stomach mouth. It' s

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not that, too, man,
of course, if you didn' t

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talk to that ghost. Good boy. First I was dumb because of the

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fear that came in, but then
I got over it. You know,

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it overcame. If I got over
it, I asked the sharp bartender for

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his gun, for this does,
although with her the dead man says so

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and I pointed him out and I
said dead, get out of here,

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or I' ll kill you again. Again say and come out no,

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because in that one guy who was
on the street taking a punch came out

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ghost defense, threw the car cat
in my head and I fell to the

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ground pointless. He didn' t
answer me if you pointed at the dead

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one, yes, and he didn' t come out. Like you'

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re going to ask me, if
he' s dead. I' m

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not telling you I got dumped by
the secretary cat putting another twenty weight on

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three skates for telling lies on the
player. Hey you told me listen to

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that mouth we' re finally rough
being you set out to capture the ghosts.

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That' s exactly it. Doctor, I was struck by the fact

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that every time the ghost went out, it disappeared in three or four hens.

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Then I began to watch the neighborhood
at night and, indeed, Judge,

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surprise three skates disguised as ghost.
When I came out of the Nanina

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yard with a hen in each hand, there' s a man who disguises

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himself as ghosts to steal chickens from
three ducks. But if I wasn'

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t stealing chicken boy that you were
making, then saving those chickens, precisely

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saving the veins the old ghost.
Or what a ghost that went out in

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that neighborhood was a real ghost hi
and it was also true that he was

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stealing chicken. But then I came
up with an idea to scare him from

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there to see so you did nothing. I wrapped myself in a sheet and

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went out to look for the ghost
until I met him when he came out

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of a nanny' s yard with
a hen in each hand, he or

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you he na na na nananina,
he then I, as if it were

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a companion of mine, I told
him, brother, you are a being

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of this world and he answered me
no, brother, I am a being

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of the other mud. Yeah,
and then I took advantage of it and

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said, well, if you'
re from the other neighborhood, go operate

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to the other neighborhood, because this
neighborhood is mine and I took the chicken

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and told me to take the chickens
away from you. Yeah, either he

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put gold in it, he hit
me with the chicken in his hand,

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and he figured out what wasn'
t a moment, mate. And if

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the thing was that way that I
didn' t have the other ghost,

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because with that ghost, which was
true as it was said, so he

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saw you coming to you, we
faded away, melted in the irritated,

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vanished, no yes, of course, and I because I couldn' t.

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If not, I laugh too.
Oh, yeah, write there,

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Secretary, come sit down. You
have every idea that amazes me and that

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amazes me, but the story of
the ghost there is no one who believes

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it and that is the right thing
and you do not tease me, I

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send it gladly for the Presidio model
ay no fundo. Before it ran to

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me varo take row my cable Adolfo
Pedro and MiguelÁngel Herrera Write Castor,

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Bispo, production and direction. Michael, every church that speaks to them,

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tells them very good luck. Friends. Audio Centre