Fantasmicidio

0:04 The tremendous edge, the tremendous court, the public hearing, the tremendous judge of the tremendous court, is going to solve a tremendous case. Good evening, Secretary, good evening, Your Honor, how you feel today. It ' s health, well, me regular and you good. I don' t feel very well. You can' t give us a fine for feeling better than your boss. But listen, Mr Thursday, you said you felt good or bad. Or else I don' t feel well. Oh, I don' t know. If you see yourself take the weight off, then ah, well. Yeah. That' s different. No, no, no, nothing' s different. I' m proceeding to tell me what case we have for today. All right, Mr Joue. The case we have today is a case of phantasmagory, a phantasmagorical, phantasmagorical step of phantasmagory by what ghost? Because I' ve heard, he' s a ghost, a ghost, yes, sir, he' s a ghost who ' s afraid. What I' m saying to see, I' m already seeing him rebuffing. Call me, there' s the complicated in that fantasy murder right away, Mr Juan. Then Mariana Nanina here as every day, Rudecino, Carnal is not and Coviña resents or is candenario three skates to good larrea Secretary, keep calling what if there is no more, age who

1:34 to call as that there is no more. Nobody compa where the ghost is. Oh, ghost, oh, fantapa. The ghost is three skates, or you tell me you' re the ghost who accused me of three pantins ah boy. I' m the one who' s not bullied, but the one who' s unfairly abused because I' m not fanatical. Like no, no, ma' am, that' s not it. Ma ' am, I told you that yours was a mental confusion caused by a wrong mistake, girl, wrong that I mate man for God, I didn ' t again to you, when I came out of Nanina' s yard, wrapped in a sheet with a hen in each hand, yes, chito, then again hazing corn and salmae some small crime, no, sir I want to say that the other time stealing chickens not that yes, toughie, I wasn' t stealing chicken chi to see ya ya no, and what I was doing then, I already told you, ma' am, I was saving them, not to see them, no, no, Nina, to what matter is that one about the ghost, Well nothing, Judge, that rude tape three skates and I live now in the coconut neighborhood alone together, well, not rude and I live in the very center of the neighborhood and three skates live towards the outskirts. So you three skates don' t live the same coconut just not my house comes to stay for peace outside of the Copache race. Secretary or a little fine for that explanation to three skates continues on a nanine. What happened in that neighborhood, because it will be

3:06 a matter of a week that in that neighborhood at night a ghost began to come out. Ma say, a screen started coming out. Ah yes, he' s a doctor, yes, but it happened that every time the ghost came out of some yard, three or four chickens disappeared. Okay, and you don' t believe ghosts. Right. They' re going to be clear that they don' t. Mr Thursday, ghosts don' t exist, well rodestint as much as they don' t exist. There is no Nina, because I once saw a ghost that I saw. Uh, see yes, sir, what a ghost you saw, the ghost of the opera. I saw it. There it is, I saw it too I feared it, but that' s not a movie. Yeah, you don ' t see it, you don' t see it, either, because listen to me when I' m going to put the phantom in the lab.

3:52 That' s what you' re gonna see, and you' re going to see how relieved we' re going to get the three of us out of the movies. Why, man, who' s uglier than us, walk what a uglier cost than us, three who don' t ask me there, no, you, I' m not talking. I' m not going to derusinri. I thought, of course, well, yes, more clearly, man, if you fall together, the three of us secretly beat you there one by one secretary, tell me to give you twenty pesos of fine. He climbs for that disrespect to the Judge. Yeah, out of disrespect I' m not gonna put anything on you, not yours I don' t care about myself. Nor because that' s one thing you can do for yourself. Thank you and hear me not Nina. That opera ghost thing is a story because I was at the Paris opera and I didn' t see any ghosts. Don' t tell me you had in Paris. I' m comfortable. I saw from Paris recently. Yeah, no, I don' t like you guys. No no, because I came from Paris. I also add more and put twenty pesos more secretaries or that boy because in the end Boode felt you did not believe that that ghost was true. It' s not that, man, of course not, Doctor. It couldn' t be real, because ghosts don' t exist.

5:02 If there are rough tonces. I' ve seen it, chic I ' ve seen it where you' ve seen it, man, in the small field, with the inside. Once I saw a ghost wrapped in a white sheet moving the arm will go, I will jump and that where you saw that ghost wrapped in a sheet savannah, savannah, yes, and soon after I saw another ghost, wrapped in a sheet, also in which place, in savannah Sabanas, Good compadre, but hear me those ghosts serve us, because everyone knows that in the field hait by very alive. Not that I' m disguised as ghosts to steal gainas and chickens. There' s nothing more than support. The first is not the first case that looks not good, but it is necessary that here, in the hard Havana I saw another ghost, another more than me. I lived in a broken ear of pedrizar. It' s been so you tell me that you saw him at night at night. I' m not cousin night. Let' s see if in the course, in the contests I saw today in an old house.

6:12 I lived in an old house in old Havana. There was life and in that house every day, at five o' clock in the afternoon, late five o' clock in the afternoon, if he made an evening ghost, in fact, evening, there was a shadow that walked down the halls. You know, but at five o' clock on the rate, he does know how the neighbors used to call that shadow how the shadow of the five girls wouldn' t tell me. And that shadow, which became a boy, walked down the halls and almost always walked alone, though one day, as I was told, the shadow appeared with an umbrella. If that was raining. No, no, no, I say with another smaller shadow, an umbrella, another smaller shadow, a umbrella, a sombreta. Yeah, you think she' s a sombreta, but umbrellas. You think she was dreaming. I' ve never seen a fantasy with a lost family.

7:01 You saw me that ghost. How far away from you I' m three meters, five meters, six meters. At what distance a little bit, well, what do you think I should say to the one that wasn' t, to the ones that it was good. I in one mouth make way for how many steps from you, well, as well as three or four, depending on the size of the foot that is not which foot the same gives one foot than another not foot and foot foot foot no, your foot my foot twelve inches, one, three or four steps in the Spot four times and did not scare you. What a ghost, no, no, no, why would I be afraid if I already had enough with what I had boy, well, what did you do when you saw na.

7:42 Oh, imagine, I was filled with courage, don' t tell me to go up and I had to run. But yes, I ran nothing but a couple of meters and why it stopped. No, no, if I didn' t stop, why don' t we stay? You don ' t say he just ran a couple meters. Yes, because at two meters it was in the calera and to reach the galley no longer corrilla the one that made then ah head it will be made rhodó rovente here and some wound has been made. Well, no boy. The only thing I did, as they gave me in the house of Socorro that explained it to me after you well, was a silk wound of twenty- five centimeters of tension, with frayed edges on the outer left side of the fabric of the trousers Go. Or then you lost consciousness, uh you lost consciousness and then you wouldn' t want me to pack at the Mira Chiqué station, a package I sent myself from. He lost his senses. So, not to make sense of what I was saying. Ah he was meaningless, as if he dreamed yes, sleeping asleep toes lights ombled between two lights, between two lights.

8:45 But you either realized what was going on or you didn' t give me coey and didn' t give me. It was one thing, so I came to vumberra itself to see well, when I was eleven ten a heifer was unaware. You put that shadow and between two struggles always pacha man go tocho this one does believe that ghosts exist truth joke, Chico insist how incis I' m going to believe that you did, that you really insist on what you insist, what do you insist? That there really is. You too are opinions, no, sir who says so listen I wish you would see Victor of the kind of ghost I saw when I had in Mexico, done, but you also saw ghosts in Mexico. Well, Chico, I saw well, I saw just one, but it was worth Potiechi.

9:35 So what a ghost it was that you saw good. It' s a Mexican generation. Hey that Zacatecas army zacateca thing, what zacateca he is, i e to sabotatic, Eh astetec army that is going to bring the wagons of your exa life out. Maybe I won' t hear him name Hechi I could do what was called mo plutarco terras per coconut how how it is how He, the man called himself generated maximum plutarco I scratch you coconut was barber, not dog, not boy. What was Zapatista. Come on, it was Zapata' s, yeah, Zapata Aja' s, he was a big fan of Zapata. He did politics for Zapata. He went to the revolution for Zapata, and when he didn' t die fighting for Zapata, they took him to lay down for Zapata. They didn' t take him for twenty- three or twenty- three, too. Yes, but he died in Havana, he didn' t die in Mexico, but I tell you he was taken across twenty- three different streets, because he lived far away from the cemetery. Well, and where did you see that ghost in a Massa Pimpo Plan canteen from where to others, already pin po Plan plus poplaco pin plus sa pin potalang that other town. What you do, where is that that that was you know where Tulanulango is, not you Anhulango, because it was ro kilometers further ahead of tula Hulango, you Sande, which was facatative, facatative and went to casugar, no and Colombia you don ' t know pull yes, well, and what about your lango, yes,

11:09 no, no. No. That' s to notice it' s a bit rocky. Well, Ray, I don' t care, I don' t care where that town is. But how' d it go? Well, in the canteen that' s kind of rocky and in that way I' ll see myself entered the ghost in general, so he snuck in. He was a terrible ghost because he couldn' t see. So he made the ghost tro the canteen and told the bartender ome there a tequila moment, a moment if the ghost had no head. With what the tequila took that and how he said that with what mouth, with what mouth that did, how he said that with the mouth of the togamo Blessed God Broga. That ghost was ventrilo or the ghosts are what he wants. For that, that' s fantastic. Let' s accept that. I guess the tequila you asked for would be taken with the stomach mouth. It' s not that, too, man, of course, if you didn' t talk to that ghost. Good boy. First I was dumb because of the fear that came in, but then I got over it. You know, it overcame. If I got over it, I asked the sharp bartender for his gun, for this does, although with her the dead man says so and I pointed him out and I said dead, get out of here, or I' ll kill you again. Again say and come out no, because in that one guy who was on the street taking a punch came out ghost defense, threw the car cat in my head and I fell to the ground pointless. He didn' t answer me if you pointed at the dead one, yes, and he didn' t come out. Like you' re going to ask me, if he' s dead. I' m not telling you I got dumped by the secretary cat putting another twenty weight on

12:41 three skates for telling lies on the player. Hey you told me listen to that mouth we' re finally rough being you set out to capture the ghosts. That' s exactly it. Doctor, I was struck by the fact that every time the ghost went out, it disappeared in three or four hens. Then I began to watch the neighborhood at night and, indeed, Judge, surprise three skates disguised as ghost. When I came out of the Nanina yard with a hen in each hand, there' s a man who disguises himself as ghosts to steal chickens from three ducks. But if I wasn' t stealing chicken boy that you were making, then saving those chickens, precisely saving the veins the old ghost. Or what a ghost that went out in that neighborhood was a real ghost hi and it was also true that he was stealing chicken. But then I came up with an idea to scare him from there to see so you did nothing. I wrapped myself in a sheet and went out to look for the ghost until I met him when he came out of a nanny' s yard with a hen in each hand, he or you he na na na nananina, he then I, as if it were a companion of mine, I told him, brother, you are a being of this world and he answered me no, brother, I am a being of the other mud. Yeah, and then I took advantage of it and said, well, if you' re from the other neighborhood, go operate to the other neighborhood, because this neighborhood is mine and I took the chicken and told me to take the chickens away from you. Yeah, either he put gold in it, he hit me with the chicken in his hand,

14:11 and he figured out what wasn' t a moment, mate. And if the thing was that way that I didn' t have the other ghost, because with that ghost, which was true as it was said, so he saw you coming to you, we faded away, melted in the irritated, vanished, no yes, of course, and I because I couldn' t. If not, I laugh too. Oh, yeah, write there, Secretary, come sit down. You have every idea that amazes me and that amazes me, but the story of the ghost there is no one who believes it and that is the right thing and you do not tease me, I send it gladly for the Presidio model ay no fundo. Before it ran to me varo take row my cable Adolfo Pedro and MiguelÁngel Herrera Write Castor, Bispo, production and direction. Michael, every church that speaks to them, tells them very good luck. Friends. Audio Centre