April 20, 2024

Historias de Miedo Abril 19 de 2024 COMA

Historias de Miedo Abril 19 de 2024 COMA
Historias de Miedo Abril 19 de 2024 COMA
MiedoScope Historias de Terror en Directo
Historias de Miedo Abril 19 de 2024 COMA

No te pierdas los directos de lunes a viernes 10 pm Transmitiendo desde Cd Mante Si quieres hacer tu Donación https://www.buymeacoffee.com/miedoscop ⭐️ Únete a nuestras Redes Sociales ⭐️ 🔥https://instagram.com/miedoscope...

No te pierdas los directos de lunes a viernes 10 pm Transmitiendo desde Cd Mante Si quieres hacer tu Donación https://www.buymeacoffee.com/miedoscop ⭐️ Únete a nuestras Redes Sociales ⭐️ 🔥https://instagram.com/miedoscope 🟣https://twitter.com/MiedoScopeMx 🟪https://www.facebook.com/miedoscopemx/ 🔵https://www.twitch.tv/miedoscope #Paranormal #MiedoScope #podcast

Conviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/miedoscope-historias-de-terror-en-directo--5104284/support.

0:08 Pagan mystery, school and magic shop offering courses and workshops, as well as products and tools for witchcraft practitioners, amulets, oracles and more. Among its services you can find tarota readings, energy cleans, prepared candles and more and visit them on their different social networks as pagan misteria. Good night. Good evening greetings to all of you welcome, all of you to one more edition of Miedoscope. Names Julio Flores. I greet you with the most courteous welcome to this evening. Today is the night of 19 April of the year two thousand twenty- four. I' m very much because I' m very much like this. Let me move this thing a little bit further over there.

0:54 Smash me. Let me settle down and see, I' m going to accommodate the House a little bit, because, like, it' s kind of weird, I don' t know, it wasn' t. Let' s settle it a little bit. There he is. I think he' s a little better already, perfect. All right, well, welcome back. Thanks to the people who are sharing the transmission. Liza Arboleda, Aldo glesp Red Moon, Fabiola Valderas, Lizeta Podcar and Seis Sánchez, Mir Taraisa, José León Murillo. Thank you for sharing the people here from Tiktok, to Lupis Reina, thanks to go for the gifts on Tiktok the YouTube race. Also greetings arrive Kathering Gampall to the whitish view is the Cervantes Serba Pérez. Thank you. I want to tell all the people who are connected that we' re already starting with child' s day? We' re starting with the kid' s day. Already there were people who sent us videos of the children telling scary stories, ok and there were people who sent us videos of their children or their grandchildren or their nephews, whatever, telling scary stories. We already put them from here until the 30th of April,

2:27 which is the day that we are going to choose winner in the program, that is to be the first thing we are going to do in the program of the 30th to open it we are going to check the likes and we are going to see who is the winner person and then we are going to deposit the five hundred baros. Not so send your video. I repeat again. They have to be minors under the age of fifteen so they can participate and they have to send a story of fear of less than a minute ' s preference, less than a minute. Don' t put sounds on it, don' t put effects on it, don' t hit the mandraque any more, the pure one, the boy' s pure voice, not the girl' s, telling the story and it' s all without music, without any of that. Hey, please, so you can participate.

3:14 Once you participate, I will send you a link where your video will be and you can now share ok with your family and friends and everything. Then it' s important that they send it now. OK, so he says hello to the puma, who didn' t make the meat today. Greetings there to the puma, and I hope that his carnilla will be blown away. We don' t have some stories we' re going to be commenting on, but you can communicate, too. Can you communicate to the more fifty- two eight hundred thirty- one, twenty- three years, eighty- six hundred? I will repeat it eight hundred, thirty- one, twenty- three, eighty- six, six hundred and six. It ' s the way you can dial the live Ahorita program and you can tell your story. They sent us some audios earlier, Ahorita. We' re going to pass them, Pedro, first a call. Let' s take the. Good night, hello, good night, good night with whom I like. Elizabeth Te Baja, California, how are you, Elizabeth? All right, how' s your night? Okay, well, look, here where I am, in the city where I am stinks like a rush, I don' t know if it' s been your turn to be next

4:44 to someone who smokes cigars, yes, the whole city of that because, as there is, it' s a pipe town that right now, they ' re burning all the cane and it stinks, it stinks like that in n where you' re in Jalisco, we' re in city man Te tamoulipas Ok city I' ve never heard that name until I listen to your program. Yeah, we' re here and I' m telling you, I smell pretty smokey. Hey, it' s got to be pretty annoying, kind of unbearable. I, Ahorita, had to learn a candle. That' s the way to slow down a little bit, the pestilence. Hey, but, well, here we go is the good thing. The good thing is that it says light, right, yes, of course, although it does a little annoying, all that, yes, the truth is.

5:30 And how about you over there, all quiet, It' s quiet, how nice, I' m very pleased. It' s raining over there or it' s not. Fortunately, the rains have already passed, but yes, it had been raining quite a bit. Okay, well, it' s good that Marques tonight, it' s good that you' re the first welcome call. Thank you, thank you, I' ll tell you a story ahead. I want to talk to you about something. I want to talk to you about something. The occasion I called you was so happy to talk to you that it didn' t sound scary at all. Then I' m going to try to talk another way to make it sound. No. No, no, no, don' t look no, don' t try. Don' t try. It' s okay.

6:15 Look, you listen to my voice. You think my voice is terrifying. The net looks. One thing I love about you is that you don ' t need to play with those emotions. But if you' re very sincere and when something scares you, you convey that fear. Yeah, that ' s right, and I do get scared easily with the disfaries, because I can imagine them, but there' s no need to fake the voice, much less. If you' re like that. So, accept and go ahead not. I don' t have a problem with that, not one, okay, but I' m gonna try not to be laughing. Nothing. It' s okay. Year, it' s okay. It ' s okay. It' s okay. I want everyone who listens to us to feel a little bit of the experiences that are strong and that do live in real life. Okay, go ahead, okay, okay. I ' m going to tell you that I' m from Puebla, Ok and I live in Baja California and the stories I have took place in Puebla.

7:18 Yeah, I remember. I remember. You were the one who talked about the one with the vallar guards. Yeah, I want to tell something to my cousin, who' s in America. He listened to the story and complemented me with that story. Turns out they did hit the people who were transforming themselves into these men who climbed and were next door neighbors. You can believe Julio to see nothing else, but recapitulate for people who didn' t listen to the show that time you lived. If I' m wrong, you correct me at the end. But so a super summary. They lived in a fractionation where they had to hire a guard, a security for that specific area, because there were medium rare things going on there and the guard suddenly saw that some species of beings began to climb through the house like climbing.

8:15 And suddenly, because the guard sees them and these beings turn with him and start attacking him in the little booth that he had truth and the guard resigned. The Guard didn' t just quit, it went wrong. He went to the psych ward so much because he was quite dismayed with what he saw and started an investigation to find these people who were the ones who were just moving there. They start moving in and start going through all these paranormal events. Okay, so they did hit my cousin. He explained that they did hit these people because there were even drums that sounded at night from his house. Then the neighbors, after this happened with the lord then said, who are the new ones, what is going on, and they met them, they saw with them and indeed this one because they were full of hairs.

9:18 I don' t know how to tell you, because that' s what my cousin told me and then they left, they went there from the fractionation. But yes, this is because they were something like this, like Nahuales. I think, look, I, right now, you tell me, I picture myself as a werewolf, sort of saying not to hit him in mandraque either, but sort of. There goes the thing. Yeah, yeah, yeah, yeah? Yeah? Yeah? Why? Because the house pretends that there were dogs up on the roof because, because I tell you, the discomfort of the neighbors and the fact of wanting to hire a guard was because here, next to me I have a friend who is so afraid at this moment I would not want to listen to this at the moment that she started to see, because this of that they wanted to enter through the parts above. And that, because people no longer knew where to put the puppies to protect and care. But it was real. Uh, yeah, it was totally real. When I tell you the story and my cousin listens to him, she' s in Treista and California. Yeah, and he tells me to see you I' ll complement you. Yes, you saw with the person or family that was transforming and you went to the house the neighbors and told you, I mean, you have to go. And so they went away. I' m surprised by that for people who listen to us outside of Mexico. You always have to explain this, because there are

10:48 always new people who do not understand very well in the concept an equal is a person here in Mexico that we know as a sorcerer, a kind of sorcerer that can be transformed into an animal. They' re a hua. Not for people who no longer understand the concept of Nahuala and notice, that when they complement my story, my cousin, I was very surprised because of the things that I have least believed in my life it has been of that. You understand me, but I remember very well, very well that since they came if there was music like drums, and that because I was a child, obviously they weren' t going to tell us all the truth. It' s more like listening to him behind a door. Or so the adult conversations because they were worried. They were worried about that, because you know not all these kinds of people, because sometimes they eat the children, they take the children, and I remember my family meeting in the kitchen behind closed doors to talk about it. Not then this then chileara güey this to gossip at ease. Now we are adults and we made those gossips too and they don' t know the truth about gossip, but also one when he was a kid, suddenly he looked out or listened. Let' s hear the gossip. There' s fear. That' s scary, uh, the truth, that' s scary. I' ll tell you the story.

12:07 Get her out, get her out, okay, here you go It turns out my mom got married and her mother- in- law never wanted her. Then this my mom, because she always lived very apart from my dad' s family and there were many conflicts. Well, my mom was forty and my dad was twenty. Yeah, okay, forty- twenty, and when my grandmother found my mom, she always told her not to get old and put her down. The thing is, my mom, after having my sister, she' s starting to feel really bad, really down, and there' s something going on with her right foot okay. Every night an opening was opened, like a cut, and he realizes that my mom was pouring water, oxygenated alcohol to try to cure him and he was taking it to Julio Ok as if the foot could take the water, ok or the alcohol or whatever threw it out. So my mom' s pretty worn out because she felt bad and this whole thing goes one of her friends and tells her you know they made you witchcraft and my mom zero who believed in it. Then, seeing her already very but very much that she could no longer walk with that foot and it hurt very much, her friend takes her

13:39 to a place with a witch OK. But I don' t know how witches can be imagined elsewhere. But with this witch she was an old lady carrying mandil, she was a little pot of sticks, just as there was nothing scary about that place, but it was surprising how many people she attended. Ok Yo, I remember when we went with my mom, because we were left out, but like I tell you, they were like little bars. My mom doesn' t come in and the lady says to my mom, along with a bouquet that was enough to clean, you tell her you bring a bad from your mother- in- law, but don' t worry I' ll take it away from you. He starts cleaning up my mom and he gets right where he was at his foot and he starts making a sound like he' s more or less a cat, okay and he starts pulling and pulling and pulling with that bouquet he was cleaning with and he takes an egg and he passes the egg and he explodes and he grabs another one and he passes it and this one blows it up with everything and the bouquet and you know what there was. There was already a toad inside the egg, inside the egg there was a toad. I saw it I saw it I saw it I saw it I saw it. No yes, and

15:13 this lady is starting to throw things out of the bouquet that cleaned it out of the light. Okay, yeah, and instead of fanning out, this toad puts a good deal of stuff like brewing. I don' t know, and this one at the time becomes a baby' s clothes. What a crazy little booth and I think a baby bib? That animal became Baby ' s clothes? And those baby clothes apparently belonged to my sister. So I think they took this and they had, they had done it to do that to my mom. That' s all that comes to mind. But my mom came out without that wound or that cut she had. And there was no more, that is, no more, there were no more nights to put in liquid, there was nothing, that is, everything we see that we sometimes say. Oh. No, it' s true. It doesn' t exist. Yes, it exists. There are, there are people who have bad powers and there are people who do bad things. Yeah.

16:29 Yeah, yeah, yeah, yeah. He' s right, uh, and I' m telling you that I, because I was very small when I saw this not and well I want to tell you something else. You can. Yeah, sure, yeah, now I' m always in time to tell you about it at my aunt' s house in Puebla. This thing that I tell you happened in the State of Veracruz, where my mother went with the witch and everything was not, and in the State of Puebla, to my aunt' s house, which they always scared off well. My aunt was never much given to be afraid. She wasn' t afraid. She was a very brave woman. So, when you start seeing these events that I tell you, it seems like the whole family gets hysterical, because you' re already starting to see what happens. No, my aunt would untie that identity one night and tell her come and take me and I' m not afraid of you. He says no. And I remember that my family used to do Christmas by the side of a chimney, okay Then they told us stories, we made chocolates, and my aunt went to bed that night. After I said this, because I told you we watched the swings move on their own. Okay, so he lay down that night next to us and he goes to bed and turns off the light and he

18:00 starts to make a sound and he' s gone really weird. I' m starting to do just like that, and I was talking to my mom, my mom was already sleeping. Then I wake up my mom and tell her, I tell my mom, Mom, Mom, something happens to my aunt and grab my aunt and my aunt, my mom gets up, turns on the light and that thing, whatever it was you' ve been pretending to pick her up, just like you took her off and we had cats Julio and the cat ran out to stamp herself where she was. That thing like I' m following him. Oh, my son. Now there you go, this happens. That night and the next day we went to the kitchen and there was a ball of hairs, a ball of hairs as if it were the aunt, the guy thing, but small, about forty centimetres that ran in the kitchen integral. Then we saw it and said no, because we are not going to say anything, because they are going to make fun of us that we are crazy. Or that I don' t know why. But it' s always easier for kids to see this kind of thing. And in this case, because we were the girls of the house, not then this one waits for some adult to talk about this, because apart, he wasn' t as scared or something, but they started to

19:33 drop the frets. They started seeing a number of things that they were telling us is that it' s the girls. It' s the girls, you know not the kids' naughty reputation. Then one day at my cousin, she' s going to prepare something for the kitchen and she' s stuck watching that thing. And that thing runs out almost between my cousin' s legs and we saw it and the cat ran out into that thing. Don' t ask me what it was. It really was a hairy thing, how much year or so, what a dog kills you like forty as I don' t know, how forty centimetres it was, or it was on the shelf of the kitchen. It wasn' t something you' ve seen in your life. Right, no, no, no, no, that' s how amazing it didn' t look like a face, it didn' t look like feet. It was just a hair thing, I mean, it was like hairs and I was like alive, you know, I mean, I ran and when I ran, because there was everything, I mean, his hair ran something incredible and it really makes me laugh because, as a child you don' t ask yourself so many questions, no yes, but I do remember that since that thing didn' t disappear,

21:04 they sent for a priest to you and blessed the house and everything and spent a time in which he didn' t see himself. But it turns out that in the backyard of the house there was a tree and in that tree that you think there was a door, a door, a door in the tree, a small door, as if they had made it, there was a venison, a goblin, exactly. But here' s the funny thing about sensations, even though, as a child, you can' t externalize so many things. Yeah, you' re scared. If you' re afraid, yes, no, because sometimes you don' t know what child fear is, that is, fear. Many times it is a thing that adults inculcate and that children do not have them as an agency so to speak, yes, yes, of course, because you do not know the consequences.

22:00 Then you can give something really amazing and you' re not afraid. But these feelings that tell you that you have to be very careful. Yes, the alert. Yeah, yeah, yeah, yeah, yeah, that ' s right, I mean, when we saw everything very well, I did that door, we said well who made it, no yeah, and I remember very well that my aunt sent to remove that tree, because it wasn' t a big tree, it was a green tree, but little you understand. Yeah, yeah, yeah, and we didn' t know anymore about that thing that ran and had hairs. We didn' t know any more, but that kind of thing was amazing. In fact, my aunt' s house is super easy for you to give and search behind the back of a town suite in San Manuel. Then it' s not a place you say. It' s rural, it' s remote, nothing, nothing, I mean, it' s a super- passable place, but it' s a place that is said to be a pantheon there.

23:03 So you did live things like this bright one, because that' s very interesting. That the goblin I say about the door, also in the tree also how crazy not yes, yes, yes, because I think there are as dimensions Julio, there are dimensions and there are things that sometimes we can see and other times we don' t even have any idea that they are happening there. I disagree and have heard the stories that many people talk about and some do look fantastic, but they are real, like that of this lady who told you that they were going into the water and that something was going into the water. They remember her. Yeah, yeah, yeah, I remember history and as kids, because what you do and you don' t know what to do anymore you don' t go and make a big fuss. I don' t know, if I don' t know how long I was listening to the show, how long I' ve been listening more or less ahead. I think so. I think so. About a year. About a year ago, a person marked my guitar that hasn' t marked me anymore. By the way, from Colombia and told me a story that did blow my head off, which was from some beings who lived in a part of Colombia where there were many caves. Then those beings came from below the earth, they were intraterrestrial, so they were like some I don' t know if they were like men. Bet a thing like that.

24:30 In total, the person who lived on the ranch where these beings came out had some sort of deal with the beings, the owner of the ranch and the beings so that these beings would come up every once in a while. I don' t know if cattle or sheep he had or chickens, I don' t know to feed. They were taken to the cave and I didn' t do anything to Mr So this one really surprised me enough about this story and I remembered so much right now that you told me that. Let me see if I can find him, right now to put it on. I don' t know if anyone remembers beings try fears cop Let me see if I can pass them there the link this mere I' m going to see them nothing else. Let me share you' re on facebook, or I' m not on my phone right now and I' m not seeing you. Ah, well, if you see the replay, right now, I already put the link on, I put the link on.

25:33 Ade on the midoscop facebook find it on Facebook or on my sc as the cave beings and then my edoscope. That' s how I find it. Okay, what' s the point? Yeah, you' re gonna say goodbye to my game' cause I feel like that' s what you' re going to be sorry about. Please send a greeting to my husband and my friend with the mummy' s voice. Of course my friend is Mary and my wife Jacinto. I loved talking to you and Joshinto' s not there anyway, thank you so much for calling someone. He was so happy here that well, how cool it is we' re in touch and when you come back when you want to mark welcome again. Hey, thanks Julio, thanks ole, so that' s the call Thank you. Thanks to the good sight and he' s going past the pitch there in Tiktok.

26:29 Thank you very much. Let me send greetings, uh, say here with the family watching midoscop and making grilled carnita and wings. Let' s see, let' s see, let' s see the image that he shares with us of the grilled carnita and the wings. How rich, uh, how rich provided to the whole family there, son, who hears what a good salt, uh, I craved pickles and a juice, a game. You know what the game is. I felt like it. So, the ice cream from h Ocean' s Pray, but grapes with cranberries. If I like that, uh, I like a salutation from Julio de San Antonio, uh, no, you' re a pitcher. How rich ay jole where you' re eating. Which is, obviously, a piece of meat.

27:25 What is this yellow, that would be what ah they are not is the ote, the ote and a roasted potato. Yeah, I' d like that, yeah, I' d like that. Greetings from Argentina, Río Negro, in San Antonio or East to Danita, Greetings, Danita, greetings from Huatanejo. You could send a greeting to my daughters Sofia Camila with the voice of the mummy Solus Camila. There it is. They send greetings to my son on Jesus' day is not frightened greeting, would be greeting to him. Thank you so much for being there sending your greetings through the WATS. If I don' t read your greetings because it' s probably over. So send it to me through the WATS and there we check it out. Before continuing with the next small call, don' t hang up on me. Please, I require your help. At best, the people of Guadalajara. I require your help. We have a situation there with the place in Guadalajara. I had already told them and I that the place of Guadalajara did not cancel, because not last hour, but yes, with a little time there in advance, then the place where it was going to be the event is no longer going to be. We have another place in Guadalajara.

28:37 We have another place in Guadalajara, but we want to see more options. If you know a place where we can transmit and which some seventy eighty people fit. I' d be grateful if you could help us and with the permission and all that or have a place in Guadalajara. Please let us know because, yes, we are seeing a little problem there. Send me a whats and tell me I' d appreciate it. We have a call Good night, good night to July. Good night. With what I have the taste or Jesus, what is it here, You, how are you, for here we walked, thank God. That' s good, that ' s good. Welcome, Mira. I have two stories that happened to me there together with the family some time ago. Already ok of the first both were there, we were kids, aha the memory that we were before, we lived in a house that already fell into a migration. Yes, then the pot ob was a quarter of a six by four, I think the room and in front of us lived my aunt, her husband and her children. Then one night those boats that start to do when the weather changes, which starts to get cold from early asus this early would be in November.

29:53 Yeah, so, since the afternoon, there was a crying of a baby and it was a ya. Then there' s a baby sitting in the house of one of the neighbor across the street. Yes, but in the house of the neighbor across the street, the only lady who was at the time was almost beating her 80s, there was no baby. Yeah, so, next to the room where we lived, there was a room growing in the room, an old room, where my grandfather and my uncles came in and left the spare parts of the machinery and iron going on. So, back then my aunt made tortillas. You know, that jackal is now those or cowgirls, yeah, that I made her in water twigs. Also at the time she was doing then she was hoisting in horrilite. There and there he made the tortillas inside the room, in cold weather. But on that occasion that yor was and I was the child, because it started to scare him, because the more, the cry of the child went from a normal cry to a very distressing cry. Then I remember it was for my mom. And because you all know that one, the chamaco is my totero and there he comes after the mom yes, then they continued the fifteen minutes more making twists My aunt when the crying turned, a cry to I can be a normal cry of a child, a horrible scream, a desperlusnant thing.

31:26 Along with that, a hundred- litre tamboo of water flew and other turns in the air felt the water until it fell. You know, not the runaway, that' s me, my aunt, running out of fear, left her kids out, yeah, she left my cousins, out already locked in the house and my cousins hitting her at the door to open and scare her. I didn' t want to open it until my mom brought them to our room across the street and that was the first story. It was something second, but the baby' s crying has never been forgotten. A horrible cry. How scary the second one exactly and the second story happened time after that. I don' t know if you remember the novel at the time conlucently. I don' t know if you' d get the contraa years You' re thirty- eight, the strange neo- return from Llano to Salazar. I didn' t see novels. I stayed with two women and a road to go. That' s the last thing I ever made out to be honest with. I liked him a lot. Oh, no, but I' m talking to you. I think it was the ' 80s. No. No, no, no, no? Don' t you? Don' t you? No, no, I didn' t touch Marino and I still think Mercedes would. No. No, no.

32:31 I' m one of those over here. Ah well, not those then. And I mean, it' s not that I saw them, but my aunt and I was watching the TV at the time the channel of the stars. He was the only one who had channel two, regional channel, here channel four, the star channel and to tell him there were no other channels. Then I remember the strange return from there in Sala Zorro and they already spent it in the afternoon. Then that day here where we were with my aunt the TV because elsewhere, the signal got a lot of interference. Yeah, and on that occasion my mom had gone out with my dad and left my brother. He' s already taken care of my aunt.

33:13 Then he carried us here in the village of his mother' s house. Then to see the novel and in that memory that we were and since we had a scream a maco fight, we let ourselves see the lady the novel locked us in a room and in the room stuck as well as the alarium of the child I bring here on that occasion were three times that screamed in the room where we were, that even she ran away, because scared thinking that it had been one of us that had shouted the hair, was that something had happened to us. Yes, yes, yes, and I remember that my cousins and other nephews, my aunt, her brothers, hers and both my brother and all of the fear that we ran away we all stamped ourselves at the door as time. It was such an ugly thing the pains that I still remember and I get goose bumps. And so it was just that explanation. Then it' s weird. No, yeah, it' s weird what happened, I mean. He' s in command. Yeah, yeah, yeah, I' m not telling you that it' s like when in my town it' s that they say that the crybaby is heard and this failure is some kid. I didn' t know that.

34:37 What I knew was that if you listened to him far away, he was close and if I listened to him nearby, he was far away. One thing. So, here it has coincided because there is one in crying and it does something minor. I didn' t know that. Uh, yeah, this one' s ugly, and then look. There' s another story. I' m going to omit names in respect of people who are grieving. Here, too, it was very pablo. It wasn' t some high school boys who went to celebrate the graduation trip, then back. The car turned around and crushed one. Then, just before that, he had about three four days that he saw a woman side by side for the pantheon that signaled him to follow him until in one of the times he crossed and near him and he told mom and other people he didn' t tell him that because he happened the night, another day, in the morning he counted and in the afternoon coming back. It was when she died, that that woman dressed in black, that with a very beautiful body and everything and very pretty and that I told her twenty come on and that started to walk and at least thought almost came the pantheon. The first time I said the time I followed him yes, and when he reacted, he was already close to the boss, he asus returned and told the mother that he did not see her, with which he did not know her, that it was not

36:07 the girl' s village, but it was very pretty and smelled very beautiful flowers that we returned some very beautiful flowers, the calaca. No, I say yes. And like that, there' s a lot of stories about how it' s a very old town where there were bellies between yackis soldiers and well, there' s too many stories. I guess so. I guess so. There' s a lot of stories over there. And I hope you keep telling them jesus. Yeah, like for example, look at the last stop, yeah, once here where it was good right now lives a cousin and from this they even came to do it. I don' t remember exactly what gram it was that came in. Uh- huh, because the people who are my life, an old lady and another gentleman had it rented out in the middle of the house. Then those gentlemen heard each other crying inside the house, saying that it was a woman, a young girl, who wept and the cry made the walls soar that they would come to the ground to the walls of this one. Then I thought that a man who was unbelieving who did not believe any of this, i e, I very high up this one and he comes and tells them, because it is not true and luckily, the one who starts to cry in that time

37:37 that he is and he believes that he was making a joke. There it looks down a wall that is, that is, you notice a wall of about a meter eighty one ninety was measured, which had previously been like a ballroom type in that house because then they divided it into the part that they divided, which was diviated to the inside of where it sounded. And he said no that someone was scaring him or that those who wanted to joke with him, it turns out that he goes and looks and sees nothing and runs out. And as a result, the lord was already frightened and everything. But the gentleman who rented to the house like the three four months died, died, became thin, thin, thin, loose, until there was nothing left to do. Then other people who came to live in that house said that even in the village with then there was the telephone booth. Yeah, and there was what was a phone booth. Then there were people who saw, for example, that the gentleman on the phone manager had the bike that he had to go warn when someone is calling someone. Yes, there were people who witnessed, who saw that those on this wheel, from the bicycle moved then other people saw children running small as goblins. And for some reason

39:08 they have always been seen in this house. No, and like I tell you, she' s with the neighbor in a song. I was already there, because before he liked to watch horror movies because of a night that this and since I caught you back then I had the Internet and I had the one because we sat outside on the porch and sometimes they give me two in the morning, not without being honest, the movies of that casino jar, but to follow the current, no yes, Sometimes I fell asleep and stayed watching her in the story we would get in and fall and I have fallen asleep in the armchair of the room and already when suddenly I was leaving, because one time they followed the three in the morning and said I am gone, but I am afraid. Let' s go with more. Come with me to the street. I do not read, for he no longer jumped into the street. I' ll leave you there. Right now he goes into the bathroom and yells so ugly when he goes into the bathroom, I go back there and say what you got. It doesn' t say the hand of a child of a creature about three four years old raised the curtain from the bathroom. Of course, there were no children in his house at the time. So you' ll see, then as we look out, I mean, come in and see, I didn' t see, but yeah, I heard a few steps. When someone runs, so I run a kid. The little steps were heard. Yeah, well, you heard the steps running from one room to another then right there where there was.

40:36 I' m telling you, there was the phone booth and, well, it' s got a lot, a lot, a lot more anecdotes than running away calling and counting, both from there and other parts of my town. It' s clear, it' s okay, it' s okay to tell history, even if it didn' t happen to you. I' ve always told people. I hope you guys are encouraged to dial and thank you so much for sharing them. What is Alejolio and we see this a greeting. Tomorrow is my birthday so, right now because tomorrow there is no program. Many congratulations, which this morning is Saturday, many congratulations that you spend very chido. That' s where he sends a picture of the cake, maybe Monday he' ll send it to me if I put it on the show. This is how I did it. Then you' re perfect. Many congratulations, a strong hug. Eh ta then ay for night Julio, good night. You can' t send solus to my husband, Gustavo Sevilla, my daughter Lisandra Garcia, until you fly, greetings to Nuevo Laredo. You can send greetings to my girlfriend and Lorenco in the voice of the alien from fer to see there goes greetings lan allow mandito, I will not be hanging up. Please don' t hang up says waiting for my brother, but listening to them we' ll see where you' re going My dear sy for a guadalajara and a savings pharmacy that' s that way is me me. I think it' s almost like a central, not a bus center. They send a greeting to the famous quaes from the

42:07 angel and they say it is the last greeting they will send him. I don' t know what broncas you have my dear quaes? But you have to fix all that, my dear whence. Get things sorted out. Greetings also to Dr Pateiro, who is connected there, to the master Juan Carlos Brela, my mother does not know if it is connected. I don' t think he went to play lottery. Today he prefers the lottery to see midoscope. How do you see we have a call Good night, very good night, Jorge how you' re doing. Okay, well, here I have the taste. I' d like it to be anonymous or there' s anonymous where you' re from, if you can tell, I' m from Colombia, but I' m looking here in Miami, perfect hicuada Miami, Hey, how rich or how rich. Yeah, there' s a little tasty around here. Welcome, welcome, what a treat you' re not going to talk about tonight. Anonymous from Miami, Florida. It ' s a family story. It happened to my mother about the death of a guy who died then put him out there nine years ago. But the funny thing was, before the guy who passed away died, we are others.

43:20 Anyway, my mother has been having dreams foreshadowings. She has been a person who, at least before things happen, she dreams of them. But her dreams are not entirely clear. I mean, when a person is going to die, it never shows him how the face is incomplete dreams, they ' re never so accurate. Then she' s the whole thing that owes me that kind of dream. And a number of things have happened. But in another ah no, for they can be pure chance, pure things we never take into account. That okay one night we' re all in the house together. It was a small town. That day the light went out.

44:12 We all slept to sleep. My mom went to bed and in the morning, my mom stood up and sweated and all, and she told us that she had dreamed of someone in the family dying. He dreamed of the grave number the exact place. Even mutuals are dressed, I mean, it was like something like that very tense. Not then my dad wasn' t calm, so we were all here in the house. It' s all good, but I mean, an exact number was clearly dreamed, because in the village, that is, when someone dies and places the exact number of graves. It' s a very big story, but everyone has a grave number, because there are people who buy lots for what they both do and at least there are families who buy lots. At least our family had to be, like saying, a lot or a lot so that whoever the family died and they' re going to stay. But no one died, no one knew what number he was playing. So, well, it' s been two days. My mom, with all the dream in the family and everything, but she never gave face to the person saw that everyone is like this how the wake was going to be. All the obvious. She says

45:45 I' m gonna be such a person there is, I mean, the whole family. Yeah, we don' t give him more attention. Three days passed, and at that time, about midnight, we were all gathered again in the living room of the house. My dad' s super low as a note, like they gave a little to. I don' t know how you Mexicans call it, like a sad aha aguitado and I didn ' t read it, I mean, it hadn' t happened to him anymore, I mean, the whole day was fine, but at the end of the twist, God doesn' t feel like today I' m gonna die. I don' t know if he said it in the form of a game joke, but I say it with a feeling that my sister and I and my mom ran into the main piece of furniture and we hugged him tightly because you said like it was, and he' s not personal about saying those things. No good. So far he said it and no, Dad, that' s all his pruning, don' t say those things.

46:54 Okay. That' s how we slept and at once one of them called my dad and that my uncle had an accident, that a car had run over him and then he had passed away. So far everything normal, yes, it was an accident and everything, well, there was nothing like that, for let' s say it telebroso so far. The detail was when they arrived that they had to make preparations for the iron and everything, go see the cemetery, go see where he was going to touch. It was just my mom. Before, when I had the dream, he said it was a tomb on a mango stick. I don' t know that Mexico also make those big mango trees. Yeah, yeah, yeah, well, before that, my mom had said it was the side of a pigeonholes where she was going to go to the grave of the person who was going to die and what do you think? Julio got the number of tombs and it was precisely the Don Pablo de Mangos side. As you know, just like Mr Julio, but the dreams there weren' t very clear. I mean, she could never see the person. I' m not saying it was like so she couldn' t change. As I say that one, each person has as their destiny and if they make you like pre- edits

48:27 or anything or any form they want, they can change it, because it would terrify many things. If I' ve commented here on the show, not if I' ve heard it that I' m one of the people who thinks it' s all written, no matter what you make you change it. Everything is ready and there are people who have access to information about the future? Are there people who have access to future information? I don ' t know why? I don' t know why they have access to information, but there are people who have access and it' s not exactly the people who have these visions of the future and who are fulfilled as they are. Uh, yeah, I mean, it was something there, yeah, it was kind of like saying a little bit sad. For me it was, I mean, for my mom it was very painful. That' s because, of course, getting the grave all accurate comes bad candlelight and all the people who have already seen how it was written were just as they had already dreamed it. Yeah, so, that was enough for her, because she was saying, I mean, for me to be given a gift or anything that I have and that she can' t hurt her, she knows that she can' t change the destiny of things, truth aha, that is, she was saying I can see so many things and know that she can' t help them, that is, if my dreams were so clear, I, at least I' m trying to save that person I ' m telling her not to go out or anything. Yes, but that was very devastating for her to know that we arrived at the Cemetery and it

49:57 was all the same grave number, it was the same place, the same people, my dad, as I already knew, because when they came to the City and all my dad one fell into account what Mom told him. The dream did, then, almost like when he was going to be buried, my dad decided to change. It was the place the day. No, then, I' m not going to make fate the way he wants it, but I' m going to change the quote and last thing at the last minute changed the place of the tomb and everything so that everything would happen to us, as was the dream. Yeah, but it was something.

50:42 It' s amazing. Strong, it' s amazing. It' s surprising, surprising because, as I tell you, I think everything is already there, as we say here in Mexico, it' s already tamed all this and my mother was sleepy like that, but it was a clone dream even yes, she at least dreamed of things and it was like I didn' t see people' s faces or well, I don' t know stockings and it was no one took him. Well, we don' t take him into account because someone else said no. No, it' s just a coincidence of what she did to us. Or anything clear until it touched us with a relative and that was, that is, she had already told us everything and when we saw, because the comparisons and everything were very real to what we are living. Yes, well, son, I thank you very anonymously for sharing this story. I don' t know if they want to say hello. It' s not right. So, Julio, perfect, because thank you so much for the call and thank you for sharing this worth. I love your shows so much. I' m a faithful follower of a long time ago. You' re kind of addictive, so I started listening to you. Thank you, he won' t stop listening to your show. Such the night I cannot hear it because live, by the difference of schedule, yes, I already have too late for me, but just like a podcast listens to it. Every day the next day.

52:12 Thank you very much, uh, thank you very much for that. Well, Jolio Gui, I appreciate you having a nice evening, just like that, and it' s a little bit too soon if you got a medioscop Thank you, César Rahi for subscription. Here on Twitch the race that has loves a prime can subscribe for free a month to my doscop every month in fact, has a free subscription to subscribe. Stara my little subject. I' m not hanging up. Please let me send greetings to the race here. You could send out light with the mummy' s voice for John to preme. That' s the Martian. Juan William Dane lur is ready to greet the dinner. I' ll give you some tamales. Am I gonna tell you something? Am I gonna tell you something? Your Starbucks glass is too cold, but that net sauce, please. Please, and I know you did it, because next door is the buffer. Don' t go too far, give me that recipe for that sauce,' cause it looks good. Hey, please, right now, I' ll check it out. Right now, I' m going to check the message. If you don' t pass me the prescription, I won' t read your messages anymore. Hey, I' m gonna block you out. Give me the recipe. Please. Good evening, Julio, send him this audio greetings.

53:30 Good night. Then I love this one we listen to the night we go to it that' s all. Greetings to the whole race of webconti in the net of otejas a strong embrace to everyone and hopefully they will then continue to listen to the program. Thank you so much for the greeting you say live poye, cheers, you didn' t name me. Let' s take the next call please, good night, good night. Sunny, Sara, what it' s like to have fun here, how you are.

54:17 Good, good, Sara, good. I' m so glad to hear you composing me there. You know, hey, you' re healthy. You' re here. That' s good. Hey, the other day I was talking to you and you' ve been through a lot. You' ve been talking to me. Yeah, yeah. This year I was late and, as I tell you, I was explaining to a friend, right now that' s how I found your podcast in the hospital. I was looking for company, because I was trying to find something to help me sleep and also to entertain myself a little. And so I first found your fit, and from that day on, that' s so cool.

55:04 I' m very pleased with that, Sara, you sent me a picture of him. Actually, it really hurt to see you. That' s how you' re in a bed on your bada. I imagine you were in a kind of induced. I wasn' t under anesthesia yet. They couldn' t wake me up because if they woke me up, I told my husband that because I' m a caterpillar, I' d take off my robes. Then, when I dawned, after I extended to be asleep for a stretch of time, I was tied to the bed. Look, it' s been a while, oh, sorry. My husband says yes and that he was in a coma. Well, there you go, you ' re going. I talked to a family member of mine. I' m not going to say who it was, but he was super mega serious at the hospital there in Mexico City, and he was in a coma for a good time and he talked to me. It' s a very interesting thing. He told me what he saw when he was in a coma and says that he entered a house that is in Monterrey, which he does not know, has never entered that house. He came in that house and he was in that house and they had him locked up in the top of that house and some goblins like they wanted to help him. So that was all

56:36 during the coma, because you won' t believe me. I know this I' m going to tell you, but an aunt doesn' t know how she did it, but she came into that house and entered that house. I don' t know if he asked permission from the person who owned the house and just like my uncle, as he was in the coma, dreamed of that house. So it was just like the house inside aha. Then imagine nothing but crazy. That, uh, you know, talking about that, my son has a week telling me you' re dreaming about a black cat. Yes, and that the black cat took him to a house and I told him, well, what the house was like or what it is or where it is He gave me to the address and the name of the street and we looked it up online and it was the house I had seen in his dreams. Since that time he' s not seen the cat anymore. We don' t know whose house it is, or anything, but here it is. My husband says he was in a coma How crazy he wasn' t, that is, you' re kind of in the middle of life and death. No, no, no more than I don ' t remember much. I thought, because they were no more essence, but apparently I made my husband in a coma. Induced when I woke up I was tangled in the bed of my arms and legs because they knew that I did wake up and that is, that I had to pull out and

58:07 take out the tubes. Let' s do it. Well, welcome, Sara I' m so glad you' re marking tonight that you' ve got us ready tonight to talk to us. Ok tonight is a story about when I was in high school, as I told you, because I left the house very early because my uncles were very ugly with me. He lived with friends and rented rooms. I was in groups of orphaned children where I wanted to be, I heard of group houses because, because bullying was a lot for me and I didn' t like being called an orphan, because it was almost the same. They were there because their parents were in jail or, in drugs or cypses, they took them out of the homes and but they told me that I was an orphan girl and I fought a lot.

59:07 I started living with some friends at school who her mom accepted me for a little while for about two months and I slept in her living room and didn' t charge me rent or anything. But your son, who is my best friend this time married my best friend from elementary school look at you, The Teas, both of you, helped me find a job at a movie theater where he worked. That movie theater for those living in Dallas was called The Grand which is there by the Heary Heynt of the Lombarry on the other side of the Freeway, but they' ve already switched to MC. I don' t know what' s called now, but almost all familyms already sent almost all Hindies to me yes, they are everywhere, almost all yes, but that was the first, which was the largest in the city, which was the most at that time, in the 2, 000, Airly Toudowsns was the largest, was the most sophisticated of the time. I had over thirteen theaters, but I think it was twenty- two theaters.

1:00:19 Then he got me a job there, and what we were doing was, after high school, we were getting together. It was the three of us, my friend, another friend, and I were hanging out in his car. He handled the work and worked six to three in the morning and then to sleep and to school the other day, and so I lived nights and days trying to graduate I needed money to pay for my supplies and gradation and all that they ask of you. In this theater there was a story that a child had drowned or said he knew I don' t know how to say chok yes or with a hoddog who had bought a fairy his parents for him to eat and he was eating and he was adopted by a three- year- old boy, he was adored by the Haldock in his throat.

1:01:17 But because it was dark and they were watching the movie on day number two, they didn' t realize when they turned on the light, because the boy man was already lifeless. And have they always said that that theater was frightened that at night you could see the child running or you could hear a child crying, screaming, a child who could not breathe or sometimes laughing or sometimes crying? Or it was up to us all at night to work on what was the concession, that is, serving popporn, hotlouts, sweet nachos.

1:01:59 Every hour in the night you had to clean up the concession area and then we each had to take the theaters and sweep clean and ensure that everything was ready for the next day before closing we would play music or let us put on movies that were playing at that time and watch the movie, or whatever it was they would clean up. They gave us that luxury. But that night I always tried not to take theater two because nobody wanted it. They always said if you' re going to go on alone, take yourself to a partner, because there they scare and always took me a partner.

1:02:42 I never had to go alone, but one night if I had to go alone, then I was clean, clean and I was trying to hurry and I went to what was the bottom of the theater, where there is always like a bar and there is a concrete floor and then this and there are the seats behind you you understand how it was estimated ok, then it was cleaning, sweeping that area of the screen, in front of the chairs and I started to hear that a few ducks were running from one il to another, from one, from one seat line, from one corridor to the other.

1:03:27 They ran and ran and ran. And do the math. I don ' t know if you' ve seen Chucky' s movie like when he ' s running, it' s in the steps today, like light as a kid. Yeah, yeah, that' s how it was heard, and then I started to hear like a kid telling him how I' ve been begging, sucking. Then I ran outside and talked to my friend and the other partner who was my friend and two other partners who worked with us and I said come on, hey, right now, there' s that kid in the theater. Two. Then they made fun of me and told me no. We told them to come and put fifty dollars in there and then we all came in. There was no light, because they paid for the lights of the projector and at that time in the night they went earlier to what we, if they wanted the film, turned it on and left as they wanted. The movie. She was standing alone. There was no movie tonight. I didn' t have my hearing aids, I didn' t have music. I was cleaning myself to go. And because I was poor, I didn' t have hearing aids as I wanted, and besides I did my job, I sang and went home. We went in, we went in, I think it was about six, and we stood there on the theater floor where the scream was and we saw it up, where

1:04:59 were all the seats you know that go like from bottom up. Okay, they' re like an angle, an groin in theaters. You know how the upstairs seats are and it goes down. Yeah, it' s going up, it' s going up right, the glasses aren' t heard anymore, but you started to see a tiny black shadow that no longer floated from passage to hallway and all saw them and then again started to go away like someone' s drowning. The girls got scared and ran the boys trying to do bravos or what they started taking up the stairs to see if they could get closer to the shade, but in that they said it gave them a chill and a chill so much that they got off and told us there let' s go. We already took this theater and we left and they grabbed my hand and we all ran out. Locked down. I didn' t finish cleaning up that theater and they all ended up fast and we all left at the same time. They usually serve us at different times, but we all left that day at the same time. So, the next day I got to work, I was going into theater two to check before the

1:06:33 new movie started and I' m going through the hallway and I ran over a girl wearing a cor I don' t know how to say cour a rite, a cart, but long they' re tall and they have pure nachos or hattogs tralls, whatever they were going to take to concession. Yeah, and he didn' t see me because I was high. He didn ' t see me and ran over my ankle. Yeah, and I got hurt. Then I couldn' t walk very well that night. Then the manager put me on watching the cameras in the theaters that day alone and he took my job for that day, that is, we switched jobs. Yeah, I was there all night until the last movie and I was still watching Theatre Two and again that shadow was seen. So what they were saying about that kid who was scared of theater number two at the Dallas Grand Theater.

1:07:35 Yeah, that' s how it happened. Then it is in the spirit probably the child this one who lost his life. There he is. Yeah. They say the parents didn' t realize it until the movie was over and the kid was already lifeless. That' s bad, uh, what a tris. Yeah, it looks like there' s still news when they just opened up, that that happened and they shut down the theater for a few weeks and they came back from a big wpening to open again and there wasn' t much talk about that, but it did come out and it did keep freaking out that theater. Yeah, yeah, well, I guess I do imagine that maybe the child' s spirit is still trapped in this place. No, for I did hear him I reached him to hear and hear pass and saw the shadow, but the other boys saw the shadow and heard a little bit as something was drowning. Someone drowned more like twice made the noise and they ran. But I did have a chance to hear and see him, that is, a little time, about five minutes. He was there all night. How tremendous and this is five. That happened to me in high school, because thanks to him for sharing it I used it.

1:09:04 There are a lot of people on Facebook who say hello and good pounds. Thanks anyway so they can turn you over to my scop' s Facebook account and read the messages, because the net ra is sending you pretty good pounds. I love them all, many are my half- broomed family and you know I support what I can and they keep talking and they' re my favorite people thank you, Sara, thank you so much for sharing. They all want to send greetings to all the friends he has made here in my edoscope, to my husband and my child and to my friend Pedro, who he introduced now my edoscope and now he is ready to put it on the app on his phone. Excellent, well welcome, Peter, to say that that was already written. That' s all. Thank you very much, Sara, this and thank you for the call of nothing that is right orale Tye Bye, for this is Sara' s call to discuss this story of what happened in the cinema with this child. I remembered the story.

1:10:23 I also don' t know if he remembers the roast meat day we made, one that was marked for us. They told us the story of a girl who, unfortunately, had fallen into a well and couldn' t get out of the well. How sad is that? How sad that, uh, thanks to all the people who share the transmission, says Hoyle. Good evening, you can send a greeting from my wife to see my husband, from his wife, Gianna. My husband is in Rio Grande prison in Laredo. I always listen to you, my husband. A greeting also for the stubborn and for all the countries of h Three h three to greetings And so, thank you for listening there the program. I hope you like it and if you have a chance. It' s not that I don' t know what the vibe is like over there. I don' t know if they let them make calls at what time they let them make calls? This one but when you get a chance to make a call or send a whatsa fear line and send an audio. There you can find your story. Plus fifty- two, eight hundred, thirty- one, twenty- three, eighty- six, six c six and speaking of audios, I have an audio pending. I' ve got an audio stand I was going to put on right now before I take another call. Let' s put the audio that was over here to watch. Let me put it on. It'

1:11:55 s where the audio is. I' ve put it is fearsome here goes hello how I come to tell you my story. I live in another country away from Colombia. Six years later, I went back to visit my family. I hugged them. I spent moments with them and the last person I said goodbye to return to the new country was my grandfather. When I hugged my grandfather he told me my eyes won' t see you again and I said no, Grandpa, this doesn' t have to be a goodbye and he said, but I know my eyes won' t see you again.

1:12:43 I thank God that I saw you and so we said goodbye. Past. In two years later today the pandemic came and at that time my grandfather died. I was very sad because I couldn' t go to his funeral, but also in turn I remembered that that day we said goodbye, I told him how much I loved him and that I always went to Mari the same. It was so that after the months after that movie by my grandfather, I had a dream where I saw my grandfather. I knew my grandfather had a carpentry shop in his house and I dreamt that he was in his house and that a cousin was in the workshop and called me and said Come, come, look what' s here and I was afraid to go because I said no. I' m sure I' ll see him. I went in, however, I entered the place when my cousin disappeared and my grandfather dressed in white clothes appeared, with his hat as he did, and when I saw him I was impressed and I told him grandfather, I thought I would see him and I was going to be scared, but it was good that I saw him I hugged him and reminded him how much I loved him.

1:14:12 He also told me how happy he was that I was his granddaughter and we hugged and told each other things and before saying goodbye, my grandfather told me I want him to tell Grandma to burn her clothes that she won' t cry any more than I do. I want you to remind me otherwise, to let me go now that they don' t put their clothes on, to burn those clothes that she has to put in bed every time and that she cries so much that they don' t cry too much anymore that they don' t cry, that they remember me like what I was. And that was all the surprise. It was that the next day I got up very impressed by that dream, which was so real. I told my mom and it turns out that yes, my grandmother slept with a change of clothes, with a set of clothes from my grandfather, which they burned and my mom cried a lot. Then I told them what my grandfather wanted.

1:15:13 And well, it was a very difficult experience to explain, because it was very real. All good. The following story happened in a remote town in Colombia. There lived a man who was single, though he was about forty - forty- five years old. That man began to have dreams, a dream where a very beautiful woman appeared and told him to go to his farm to his farm. I don' t know how they' ll tell you in other countries that he had a treasure there. Then he began digging, began digging the earth and finishing a hole where she said a cave. Practically every night she appeared in a dream, talked to him, encouraged him to continue and told him not to tell anyone. That man entrusted him with that dream and his mother. Then past. So it happened a couple of months and he kept digging. He had found the treasure and told three more people in the village. From there they began digging all and the night before the tragedy, the woman had appeared to him in dreams and had told him that it is not long before you can find the treasure that I have for you and you and I will be together. I was telling her it was the

1:16:48 next day that the tragedy happened and they all died buried. That was the story that happened in a remote town in Colombia, something very incredible to believe, but it was a tragedy that marked us all because we were surprised by the way things happened as that woman presented herself and encouraged him to continue digging his own tuma. Thank you so much for sharing these stories, we' ve just shared them here on the show. Thank you. It' s one of the first stories. It looked a lot like Jamaican water. No greetings Julio de Araceli. From hot water, Greetings Araceli Julio. Anonymous short story. When I was Chava, I lived in my grandmother' s house.

1:17:39 One day the day of the dead came near. One night I heard the noises like someone was walking down the stairs. The house was two floors and the terrace was heard as it came from above, passing through the second floor and going down to the bottom floor which, by the way, there was a door that never opened. I went to check and it was no one to hear it again and I looked up and I said nothing to my grandmother and she just told me maybe it' s your uncle who had already passed away. He came to visit us. You believe that really, on dead day, November two, here in Mexico, spirits become present or have nothing to do with it. I' m saying this because it doesn' t make much sense either. Let' s be honest, race, let ' s be honest. The three o' clock in the morning, three, thirty, we don' t even know which three o' clock, thirty o' clock, spirits or ghosts aren' t going to check the hour and they' re going to say it' s three o' clock, thirty o' clock. We' re going out. It' s not like that. Minoscop' s program has a phrase that says fear has no schedule and so it is. Paranormal things can happen to you at any time of the day, at any time of, uh, any time of the tenth. You can get in there. Paranormal things don' t need to be 3: 00 a m, 3: 30 a m, or anything like that. So, yes, this kind of thing usually happens Communicate

1:19:11 race eleven at night with eighteen minutes for the border race, it' s already twelve at night with nineteen minutes. How you can communicate. Eight hundred, thirty- one, twenty- three, eighty- six, six, six? They share the transmission. Help me share the transmission. Go to Midescops YouTube channel. Subscribe also and more fifty- two through the WATs plus fifty- two, eight hundred, thirty- one, twenty- three, eighty- six, six, six, plus fifty- two, eight hundred, thirty- one, twenty- three, eighty- six, six, six? Three o' clock in the morning is the time for rituals.

1:19:56 Three o' clock in the morning? Of what? Of what? Because three o' clock in the morning here isn' t the same as three o' clock in the morning from Peru or Venezuela or Sinaloa. It' s not the same. So to have a schedule where you' re going to tell me that the energies and that all that, how you' re going to agree with the energies on what schedule, I mean, doesn' t make much sense. That really, uh, fear. It has no schedule and race can be at any time. Eh say, rus and greetings from Queretaro, greetings from Queretaro, chanti or chuva. Greetings from Compton, Calif I would like to meet Compton, Eh, I would like to meet Compton to see if when I go there, for California, you throw me an adventure there for Compton, to know all the stories are very beautiful and scary. Desca has a nice weekend. Greetings, Luis Angel says Greetings Julio.

1:20:53 Greetings, my dear Luis Angel. Thank you for being here too by turning around and then communicating to people to tell their story. I think we have space still that by one more flame, one more flame, eight hundred, thirty- one, twenty- three, eighty- six, six, six, or more fifty- two, eight hundred, thirty- one, twenty- three, eighty- six, six, six, fear line so that you can communicate, you can tell your story and make the program better.

1:21:40 We don' t have a call Good night. Well, well, come on out Greeting the race, greetings to a message plan He spoke quickly because the program is about to end. When I was working at the animation hospital, a very young girl arrived, had a four- month- old boy, a baby, and arrived very badly. His lungs were destroyed. We never knew if it was a postcoby or that he made a mix of deversives in the house. You never knew yes. The fact is, she was very bad. They had in tubada, they were waiting for the transplant and I combed it and told him to want it you are, a little boy, don' t go to die and I always talked to him.

1:22:34 No yes, but she was always in a coma and it was those patients who told me ah ya, next shift, I can' t find her because it was very bad. Well, I left because they were going to operate on me. He had an operation of mine. I left on leave and after that I no longer went into resuscitation because of the operation I was given an incapacity for a few years that I can' t make physical efforts. And one day a young girl came and I didn' t recognize her. She came in and she stares at me and you tell me I know you, and not the dad who was with him for a visit. She told me I know you and I kept looking at her, but I didn ' t realize where. And he tells me you call yourself, see, because they tell me to see the job, what you call bea. I remember you. I saw you. I was listening to everything you guys were talking about and you were talking to me and you were combing me and I was listening and I was talking to you, but you weren' t listening to me and I told him how. So, yes, I listened to everything you doctors told me everything, I listened to everything and I said good.

1:23:54 And what did they do to you? You look good they made you? The transplant they gave you? I was told when I was in a coma, Jesus appeared to me and took me by the hand and walked through a desert, large, large, to an illuminated door and told me that he was going to heal me and that she was going to be the testimony that he existed the girl, was not evangelical, was nothing, and she got out of the coma and got better and sent her home and she says she is breathing well and feels nothing and that she did not go back to the doctors. But she' s fine, she walks and everything, she ' s not tired or anything. I remember that I saw the stad of her lungs I practically had no lungs or anything, because those of my history.

1:25:00 How crazy that sara told me, reminded me of that girl who was in a coma. They do say that people who are in a coma can even get out of their bodies and walk around. Yeah, I said they were already walking by the bed and he was seeing and listening to everything we talked about, and she was talking, but we weren' t listening, we weren' t listening. Yeah, that' s interesting. That' s always interesting to know that kind of stories and anecdotes. And thank you so much for sharing. I don' t know if they want to send a greeting, tell you anything else they send you. Greetings to my oh John with the voice of the mummy that we are going to rise at this hour. He doesn' t want to get up There' s a greeting ready for him. Hey, thanks, Julio. Say hello to the master ' s degree to the Sara and nothing else. Thank you so much for coming in. Good night, good night, Julio, bye, because there ' s the call. Thank you for communicating tonight. Thank you, Ay Sara, a donation has been donated. That' s where I tell him it' s my shugar mami, and the good sight is Midescoup' s Daddy shugar. Thanks for here too. Greetings from Houston. Teja, Greetings to Houston. Texas Tony Arroyo, greetings to Houston. What else do we

1:26:31 have for here, then nothing. I think that right now, we' re gonna say good- bye a pleasure to have been with you tonight. Unfortunately or fortunately, as you wish to see, we will see you until Monday. Until Monday, we' re going back, but it' s we can go back there with more stories. If you have a story, you want to tell and you don' t have time to tell the message via the message audio there on whats Also remember if you have children under the age of fifteen who want to participate in the kid' s Midoscopero day contest, it' s very simple. They have to record a video of them if they are going to be in the video they have to go out with an adult, but neither of them comes out and the voice of the boy or the girl comes out, without any music or any background. You have to send me a story of less than a minute, if you can, and that story now we' re going to upload here the Facebook page for people to see, listen to and video that has more likes here. On April 30, he' s going to win five hundred bucks. Ok then send your video, send it to fear, line through the wats in video format do not send audios video format. That' s how you have to send it, otherwise you don' t. They will not participate in preference for less than one minute and less than fifteen years. Not anymore, they

1:28:05 ' re not kids anymore, don' t overdo it. We' ll see you have an excellent night and remember the following. Remember that fear, fear has no schedule. And greetings to Grandma Caron. What a rundown.